In the process of proofing film I started developing an eye for what works and what does not in a frame. How color and texture are effected by lighting. And how much is needed or not to tell the story or sell the product. There was also a lot to be learned from what photographers were leaving on the cutting room floors.
via « POP (Photographers on Photography).
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Big thanks for sharing this. I just passed on the interview to a stylist friend of mine. It’s great to read about people who work with photographers too.
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