Curators of festivals are all working for the cultural industry, and as an industry they’re obsessed with being the first to show someone’s work. It’s the competitive spirit applied to culture. For me, the essence of photography is to share. This is why it’s so popular and so democratic.
I can understand the cultural industry point of view. You care about how many people will come see your show. I used to have this conversation with gallerist friends: How do you legitimize photography? They would say: You have a limited edition of three prints, and one artist’s proof. But to me this is not the real essence of photography.
via Reaching Beyond the Photo Ghetto.
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The linked article is on PDN online, and it’s only shared with paid subscribers.
Oh well. A little irony to spice up the day.
@ Wetink: here’s the explanation: http://i.imgur.com/n4QKl.jpg
Good one!
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