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2013
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The Daily Edit – Tuesday 10.2.12

(click images to make bigger)

Esquire

Creative Director: David Curcurito
Director of Photography: Michael Norseng
Photo Editor: Alison Unterreiner
Art Director: Stravinski Pierre

Photographer: Nigel Parry

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

by Heidi Volpe on October 2, 2012 · 5 comments


{ 5 comments }

1 Ellis Vener October 2, 2012 at 9:46 am

I generally like Parry’s work but I hate the way these images are processed. It looks like a bad mortician’s work. My criticism has nothing to do with Eastwood’s politics – the images just feels like they are not up to Parry’s usual high standards or an experiment in the wrong direction..

2 specialmonkey October 2, 2012 at 10:34 am

Maybe he just looks dead?

3 Dan Wagner October 2, 2012 at 11:07 am

Photos and layout are beautiful. Love the crumpled paper on right with … I don’t know how to describe it — the movie / wanted poster type treatment — really great. Getting older has done nothing to lessen Eastwood’s talent or intensity. I like the other photos of Clint on Parry’s website — the one with Matt Damon is cool. The only negative thing about this story is that it will make any photographer wish they had the opportunity to photograph Clint — I know he would be on my top ten actor wish list. I don’t care if he talks to chairs.

4 Darrell Eager October 2, 2012 at 3:12 pm

Where is the chair?

5 Ed Hamlin October 2, 2012 at 6:12 pm

I have always been a fan of Clint Eastwood, there have been a couple of movies he’s done that I could passed on, but hey he’s a great director and actor. I think it would be difficult to make a bad Photo of him and I do wonder why Parry chose the style of lighting? Maybe he can chime in? I looked one last time before posting this and maybe, as I speculate here the choice of somewhat hard lighting was to go with the perceived character of Mr. Eastwood.

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