May
21
2013
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The Daily Edit
Russh: Philip Gay

Monday: 1.14.13

Art Director: Michael Donkin
Arts Editor: Sophie Edelstein

Photographer: Philip Gay

by Heidi Volpe on January 14, 2013 · 7 comments


{ 7 comments }

1 John Santoni January 14, 2013 at 9:39 am

Not to sound flippant or disrespectful, but is there anything unique or thought-provoking about this photo set? Or is that not the point of this feature? Is it simply a friendly endorsement of the photographer? What am I missing?

2 A Photo Editor January 14, 2013 at 11:31 am

I don’t think that unique or thought provoking was ever the point. Just finding decent images to publish can be difficult.

3 Michael Matsil January 14, 2013 at 1:29 pm

I agree with APE…. Not spectacular, but a well presented and collaborative effort by a photographer, an art director and an editor. Nice work.

4 John Santoni January 14, 2013 at 2:00 pm

Point taken. Again, nothing but respect for APhotoEditor, and everything that Rob is doing, as well as the photographer, art director, and editor.
Just that this spread struck me as sort of “common”, and it seems to me that for a spread to be featured in “The Daily Edit” there would be something maybe “uncommon”, such as the photography, layout, or typography. Just my opinion, perhaps missing the point, or perhaps a bit jaded. And I would disagree with Rob’s comment that “Just finding decent images to publish can be difficult.”

5 Michael Matsil January 14, 2013 at 3:46 pm

How about the hand drawn title page and juxtaposition to the opening image? That got my attention. I find the layout and presentation refreshing among the many overwrought entries we see here and elsewhere by the likes of LaChapelle and Leibovitz. It shows that in photography today, a light hand and clean approach can STILL carry the day… as I believe this editorial spread is doing. So agreed: we have two views of the same assignment.

6 Przemyslaw Stroinski January 14, 2013 at 2:40 pm

good work, just enough & so much

7 Dan Wagner January 14, 2013 at 5:48 pm

I don’t know why anyone’s complaining. I was going to leave a comment but decided not to. Kind of ambivalent today. But if I did leave a comment I might have written how I liked the opening spread because even though the typesetter had the flu, the show had to go on. I might have expressed a preference for a tighter crop of the opening photo or loosing the dog collar — if that’s what it is. When I see extraordinary work I feel elated and deflated, and when I see what some label average work I feel deflated and elated. Of course this only happens when I’m leaning egocentric, which is like everyday.

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