Hello, Controversy. Como estas? We haven’t had a chance to catch up lately. How have you been? Keeping busy, I’m sure.
I’m well, thanks. I made it to Texas and back without getting hassled by the fuzz. It hasn’t been as cold here recently, so I don’t have anything to complain about. I’ve been trying to push the envelope as a writer, but some weeks I just don’t have it in me.
But what about you? I was thinking it might be fun to invite you into the column again this week. Sometimes, it’s tricky to predict your next visit. Like that RJ Shaughnessy dustup. Who knew people would get so worked up because I kinda-liked a book about pretty LA teenagers self-published by a commercial photographer?
Other times, though, it’s not hard to guess. Take Pieter Hugo, for instance. That guy courts you like a horny hedge funder sniffing around an ovulating supermodel. You and Mr. Hugo have dinner together every week, right?
Yes, Pieter Hugo is guaranteed to get people talking. But so is the idea of plagiarism. (Or copying.) Do people actually do that? Ideas are in the air, and everyone’s afraid of getting ripped off. Personally, I’ve never had the stones to ask that guy who did “The Poverty Line” if he saw my work before making his. Too unseemly. What? I just called him out? Shit.
But what about Mr. Hugo? Let’s deflect it back. His new book, “There’s A Place in Hell for Me and My Friends,” is compelling and taut, like everything he does. Super-well-made. It consists of photographs of his friends, made in color and then converted in the computer. He manipulated the channels to make the portraits reflect the damage done to skin by UV rays.
Which is almost exactly the same project done by Cara Phillips a few years back. (To be clear, she used actual UV photography, and he digitally altered. She photographed with eyes closed; he with eyes open.) What happened here? Who made the work first? Did he know of her project? (Or she of his?) If so, did he decide to proceed because it was his right to make whatever he wants to make?
Or is this just another instance of two people having a similar idea around the same time, and then coming to market separately? I’ve seen it before. At Review Santa Fe in ’09, Emily Shur showed me photos of cell phone towers masquerading as trees. The next month, I saw the same idea, done by a German photographer, published in Aperture. Did she abandon the project, knowing she was beat to the punch? I don’t know.
But the book, you say? Well, Controversy, it’s a good one. Super sharp, weird portraits. This guy is a pro, and really knows how to make a picture. The images definitely reference old school photography, like new school wet-plate-collodion. (That filter has to exist somewhere, right?) And some of the subjects’ eyes are totally possessed, referencing back to his Nollywood pictures. The dirty-ish faces also make me think of miners, which in South Africa is an apt reference.
But what about the Elephant in the room? Since these were photographed in Africa, ought we not mention the unmentionable? Mr. Hugo, as you know best, Controversy, is often lambasted for being a white guy who photographs black people, sometimes in unflattering ways. So I can’t omit the fact that in some of these pictures, it appears as if he’s painted his friends in blackface. (If I didn’t say it, someone else would have.)
Of course, I like this book. And I like the pictures. They’re raw and experimental and powerful. Did he cop the idea off of someone else? I don’t know. Am I accusing him? Definitely not.
But in the Internet age, it’s easier to steal or be influenced by ideas than ever before. We’re all inundated all the time. It’s often hard to know when you saw something, forgot it, and then it popped back up in your head later on. Nobody remembers every page they breezed through, or every status update they liked.
Take my Texas Roundup article series, for example. Did I steal the name from that recent photo event, the Texas Photo Roundup? Of course not. Had I ever visited their website? Yeah, a few months ago. Did I remember it when I came up with the name? No. Do I feel bad about it? A little. My apologies.
Bottom Line: Terrific photographs of a project you might have seen before
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Books are found in the bookstore and submissions are not accepted.