Posts by: A Photo Editor

Art Producers Speak: Cedric Angeles

We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.sease@verizon.net

Anonymous Art Buyer: I nominate Cedric Angeles. His images of food and travel always have an angle or composition that makes you see things from a different perspective, resulting in an a-ha moment.

A boy jumping into the Black Sea in the coastal town of Batumi, Republic of Georgia. This was my first assignment for Travel and Leisure Magazine.

A boy jumping into the Black Sea in the coastal town of Batumi, Republic of Georgia. This was my first assignment for Travel and Leisure Magazine.

Portrait of poet Marilyn Nelson at the Soul Mountain Retreat, a writer’s colony she started in East Haddam, Connecticut. Commissioned by Oprah Magazine.

Portrait of poet Marilyn Nelson at the Soul Mountain Retreat, a writer’s colony she started in East Haddam, Connecticut. Commissioned by Oprah Magazine.

Portrait of a mento band, the Jolly Boys. Photographed at their favorite bar in Port Antonio, Jamaica for British Airways High Life Magazine. The band is experiencing a resurgence in popularity after releasing a cover af Amy Winehouse’s song, Rehab, in 2010.

Portrait of a mento band, the Jolly Boys. Photographed at their favorite bar in Port Antonio, Jamaica for British Airways High Life Magazine. The band is experiencing a resurgence in popularity after releasing a cover af Amy Winehouse’s song, Rehab, in 2010.

Publix 2013 Milestone 1:00 Spot. Publix wanted to show the significant milestones in our lives such as a birth of a baby, a birthday, graduation and getting married. The production and filming were done in Tampa, Florida. In conjunction with the video, I also shot print ads for this campaign. This is a great example of the blurring of lines for photographers being asked to be directors as well.
This is part of an entertaining story for Bon Appetit Magazine with musician Jack Johnson and his friends,  shot in the North Shore, Oahu in Hawaii.

This is part of an entertaining story for Bon Appetit Magazine with musician Jack Johnson and his friends, shot in the North Shore, Oahu in Hawaii.

A fashion story in Mazatlan, Mexico for Travel and Leisure Magazine.

A fashion story in Mazatlan, Mexico for Travel and Leisure Magazine.

Part of an Ad campaign for ARUBA.

Part of an Ad campaign for ARUBA.

Personal. My wife as the artist Frida Kahlo with our youngest daughter, Gala. Photographed in our living room.

Personal. My wife as the artist Frida Kahlo with our youngest daughter, Gala. Photographed in our living room.

Portrait of writer Malcolm Gladwell for RED Magazine. Photographed in his apartment in Manhattan.

Portrait of writer Malcolm Gladwell for RED Magazine. Photographed in his apartment in Manhattan.

A video portrait of Jody Meche, a frogger living in Henderson, Louisiana. Commissioned by Garden and Gun Magazine.
Backstage at the Bolshoi Theatre in Moscow during a performance of Swan Lake. A story about Moscow for Conde Nast Traveller UK.

Backstage at the Bolshoi Theatre in Moscow during a performance of Swan Lake. A story about Moscow for Conde Nast Traveller UK.

School children playing along the Indian Ocean in Colombo, Sri Lanka. Commissioned by Travel and Leisure Magazine.

School children playing along the Indian Ocean in Colombo, Sri Lanka. Commissioned by Travel and Leisure Magazine.

A shepherd in Madagascar. Part of my on-going project on animal herders around the world called Milk and Blood.

A shepherd in Madagascar. Part of my on-going project on animal herders around the world called Milk and Blood.

How many years have you been in business?
I would say that it officially started when I moved to New York from Los Angeles in 2000, so this is my 14th year.

Are you self-taught or photography school taught?
My “on-the-job” training started when I lived in Los Angeles. Shortly after graduating High School, I worked as a Grip in commercial shoots, music videos, and films. I learned lighting and cameras from the directors and cinematographers that I worked with on set. I wanted to be a filmmaker but my desire to travel and take pictures took precedent and I left the film world and formally studied photography at the Art Center College of Design.

Who was your greatest influence that inspired you to get into this business?
My love for photography began with my father. He was an amateur photographer and would share his photos with me. He subscribed to National Geographic magazine and I would spend hours reading and fixating on images of faraway places. I think that the urge to see these places began my interest for telling stories through images. And I knew that photography was my ticket to travel the world. I grew up in the Philippines, from a small town and becoming a photographer was the least likely thing to happen. I immigrated to the United States and lived in Los Angeles. I found work in the film industry and this was when I discovered the works of cinematographers and photographers that pushed me to pursue image making. I watched films shot by Michael Chapman, Raoul Coutard, Janusz Kaminski, Georgi Rerberg, Sven Nykvist, Vittorio Storaro, Christopher Doyle and devoured photography books by Danny Lyon, Robert Capa, Larry Clark, Miguel Rio Branco, William Klein, Richard Avedon, Werner Bishchof, Jim Goldberg, Manuel Alvarez Bravo, Nan Goldin, Malick Sidibe, Josef Koudelka, to name a few.

How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
It is important for me to take a break from taking pictures. My wife is an artist, a painter and sculptor, creating gigantic sculptures made out of steel. Watching her create works in steel that weigh thousands of pounds is a revelation. She has been a source of inspiration for me. We have 2 daughters and I don’t need to say how kids can light a fire under your ass when it comes to creativity. I read a lot, listen to music, watch films constantly, maybe a little too much.

Do you find that some creatives love your work but the client holds you back?
Once I am awarded a job, I know everything about the shoot. Creative calls have happened, layouts have been shared and I become part of the team with the creatives and the client. The creatives I have worked with have been supportive of ideas I bring to the project I would say being held back meant that I was not awarded the project as the clients may have found another photographer’s work more fitting. Commissioned work always comes with a shoot list or a layout to follow and obviously, there is always more freedom in editorial projects. Clients hire you for your aesthetic and wants you to bring your vision to the their project. I have done editorial travel stories where I am not given a shoot list, no leads, no contacts. Just a general sense on what the story would be about. Complete freedom, dream shoot, right? Not for me. I actually like directions from my editors, to be given a specific story to follow. It gives me more freedom to shoot things that are not on the list but at least I would know that I am telling a more cohesive story. I would probably not say “holding me back” – it is more a collaboration between myself, the creatives and the clients and it is one aspect of commercial photography that I truly enjoy.

What are you doing to get your vision out to the buying audience?
Since partnering with MONACO REPS, I haven’t had to think much about designing and distributing promotional pieces for commercial work because they do an excellent job as my representatives. So instead, I think about ways to promote my work as I personally see it. For instance, I redesigned my website to focus primarily on storytelling, to include more images surrounding a piece that illustrate it in detail. I have a Tumblr page that I update with outtakes from shoots or to share new ideas, and I have a Facebook page for my photography that shares recent work and favorite images from my archive.

What is your advice for those who are showing what they think the buyers want to see?
Be careful of trends. Only show work that you love. Create work that is personal. I mean, these are advice that have become cliche but very important to heed.

Are you shooting for yourself and creating new work to keep your artistic talent true to you?
Yes, I am working on several projects at the moment. My projects are long term in nature and involve a lot of travel. I don’t believe in shooting everyday. I like shooting projects in chunks of time and taking breaks in between. A big part of nurturing my personal voice comes from functioning as a husband and a father. It is fairly easy to be consumed by photography and the time I spend with my wife and my two daughters plays a big part of making sure I stay honest with my work.

How often are you shooting new work?
My work keeps me busy three out of four weeks every month. I plan it out so that I have enough time in between to edit and decompress after days of non-stop shooting. But my wife says I am shooting new work in my head all of the time

———–

Cedric’s brand of lifestyle photography is simultaneously joyful and moving. When viewing Cedric’s Lifestyle photography, one cannot resist an instant sense of longing to join the scene. He is a man constantly on the move, photographing places and cultures with the goal of understanding how other people live. He approaches photography with an interest in narrative and the spirit of a documentarian. Photo District News (PDN) named him as one of the 30 Under 30 Young Photographers to Watch. He is a Co-Founder of INTERSECTION PHOTOS, a boutique photo stock agency that deals with high end travel imagery. He is represented by MONACO REPS.

Clients Include: Aruba / GQ / Travel+Leisure / Food&Wine / Bon Appetit / Gourmet / Vogue / GLAMOUR / W / Men’s Journal / Men’s Health / Self / Real Simple / Publix / Sarabeth’s / Conde Nast Traveler UK / British Airways High Life / Martha Stewart Living / Departures / Royal Caribbean / O Magazine / Discover / Lifetime / Time Inc. / Los Angeles Times Magazine / Four Seasons Magazine / Rolling Stone 

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

Taking the picture might in fact be the easiest part of the entire process

- - Blog News

If photography is a visual language, the picture is only an expression of an idea. So, you need to have that message, that idea, concept, or proposal that you want to share with others. Then, the context in which that message is presented is highly important in understanding how the message will be received: a Facebook post, a photo book, a print on a gallery wall, will all have a different impact and will be received and understood differently.

via Hatje Cantz | fotoblog.

Sherpas Fund

- - Working

On April 18, an avalanche on Mount Everest swept through a line of Sherpas preparing the climbing route for their commercial clients. Sixteen men were killed, making it the deadliest day in the mountain’s history.

We are a group of ten photographers who have worked extensively with the Sherpa people and are devastated by this tragedy. For us, this is a moment to ask how we can help our Sherpa friends—both in this time of crisis and in the years to come. As a first step, we are donating the prints you see here, a selection of our photographs of the Everest region and its people, curated by our editors, National Geographic’s Sadie Quarrier and Outside’s Amy Silverman. One-hundred percent of proceeds from this sale (after the cost of printing) will go to the Sherpa community via the nonprofit Alex Lowe Charitable Foundation, which has been working with Sherpa climbers in the Khumbu since 2003.

Go here to purchase a print: http://www.sherpasfund.org/

Sale ends midnight tonight PST

Screen Shot 2014-04-30 at 9.03.45 AM

Do Not Describe Your Photographs, Do Not Explain Your Photographs

- - Blog News

What to do, though? How to approach writing? As I noted, you don’t want to start at the very end, trying to add some words to a finished project. Start writing while you’re in the middle. Every photographer should write (and read – a lot). The act of committing thoughts to paper – or hacking them into a computer – is more liberating than you’d imagine. You are probably only going to use a small fraction of all the writing, but you will be surprised what your subconsciousness can come up with – the same subconsciousness that’s responsible for so much in your photographs.

via How to write about your photographs | Conscientious Photography Magazine.

Art Producers Speak: Lance Koudele

We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.sease@verizon.net

Anonymous Art Buyer: I nominate Lance Koudele because in a large project he was able to handle every aspect with grace under fire. He was able to handle the unexpected and somehow found a way to capture the true essence of the project. His eye for beauty was something I have only had the pleasure of witnessing a few times in my career.

Shot from a campaign for Sensi Graves Bikinis. All of the ladies were professional athletes… awesome to work with females who have not only beauty but an incredibly powerful presence.

Shot from a campaign for Sensi Graves Bikinis. All of the ladies were professional athletes… awesome to work with females who have not only beauty but an incredibly powerful presence.

Photo of Phil Sullivan in Boston for a Life Is Good rebranding I recently shot with Straub Collaborative. Always awesome to work with a brand to help them redefine themselves.

Photo of Phil Sullivan in Boston for a Life Is Good rebranding I recently shot with Straub Collaborative. Always awesome to work with a brand to help them redefine themselves.

Ryan Huggins atop Illumination Rock on Mt Hood, shot for Native Eyewear. The snowboard descent under starlight and sliver of moon was magical.

Ryan Huggins atop Illumination Rock on Mt Hood, shot for Native Eyewear. The snowboard descent under starlight and sliver of moon was magical.

Cloud break in Tengboche Nepal. This portrait for WEND magazine is of TREW clothing co-founder Chris Pew, it was one of the only cloud breaks we enjoyed on our 3 week trip there.

Cloud break in Tengboche Nepal. This portrait for WEND magazine is of TREW clothing co-founder Chris Pew, it was one of the only cloud breaks we enjoyed on our 3 week trip there.

Owen Leeper launches- Jackson Hole, Wyoming. The mountains have been the source of my creativity for the last 25 years. Nothing gives me more stoke than a steep canvas of untracked snow. “Snow Spoken” a self published photo journal will be released this fall.

Owen Leeper launches- Jackson Hole, Wyoming. The mountains have been the source of my creativity for the last 25 years. Nothing gives me more stoke than a steep canvas of untracked snow. “Snow Spoken” a self published photo journal will be released this fall.

Taken from Beach Life. A self produced project.

Taken from Beach Life. A self produced project.

Stand Up Paddle-boarder shot for Slingshot SUP. I am a fan of the underside of bridges. So many people never take the time to explore what lies under them. Each bridge is an opportunity for adventure.

Stand Up Paddle-boarder shot for Slingshot SUP. I am a fan of the underside of bridges. So many people never take the time to explore what lies under them. Each bridge is an opportunity for adventure.

Mountain Biker. Taken from a series of portraits of downhill racers.

Mountain Biker. Taken from a series of portraits of downhill racers.

Dutch Red Bull athlete Ruben Lenten. Like herding cats this one… very enjoyable and one of my dearest friends in the world of kiteboarding, something I’ve shot a lot of over the years.

Dutch Red Bull athlete Ruben Lenten. Like herding cats this one… very enjoyable and one of my dearest friends in the world of kiteboarding, something I’ve shot a lot of over the years.

Friendship Glacier British Columbia. Campaign for HydroFlask. We were airlifted to a remote hut for a week without running water or electricity to self access ski tour the surrounding mountains.

Friendship Glacier British Columbia. Campaign for HydroFlask. We were airlifted to a remote hut for a week without running water or electricity to self access ski tour the surrounding mountains.

Travel piece shot for Men’s Journal- Isabella Caves, Puerto Rico.

Travel piece shot for Men’s Journal- Isabella Caves, Puerto Rico.

How many years have you been in business?
8 years.

Are you self-taught or photography school taught?
Well, both… I went to the Art Institute of Portland and studied Digital Media. I really twisted the curriculum to study the things I wanted- sound, photography, especially film. After graduation I soon found doors kept opening for photography so I rolled with it. When issues arose along the way I problem solved, and figured it out myself.

Who was your greatest influence that inspired you to get into this business?
I think initially it was the people that truly live the subject they shoot- the Buddhist Matthieu Ricard, adventure work of Jimmy Chin and the mountain culture of Jordan Manley. It also was the people that capture the lifestyle- Daniel Blom, Chris Burkard. Lately I’ve been inspired by the more fashion travel lifestyle work of Misha Taylor.

How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
I never set the intention to do something to be noticed. I want the subject to be noticed, it’s not about me. I want people to experience a place and moment that they normally never would. I want them to be inspired to explore. I also want a sense of fun to radiate into the viewer… a sense of empowerment that there is a life much deeper than the one they are told of on TV.

Do you find that some creatives love your work but the client holds you back?
Sometimes, but like any collaboration there is give and take. I always push the boundaries when I think it necessary, it always seems to be appreciated in the end.

What are you doing to get your vision out to the buying audience?
I recently enlisted the help of Amanda Sosa Stone and a brilliant boutique marketing agency based out of Portland Oregon called Owen Jones and Partners. We just rolled out a new website and I’ll be following it up with a direct marketing campaign this summer.

What I am finding is when I fly out to Boston, LA or NYC to work people instantly notice my vibe is different. I live in Jackson Wyoming in the winter and Hood River Oregon in the summer and that’s refreshing to them. New bookings happen with them as a result. I really like meeting face to face with people and hope to do more of that once the summer shooting season slows to show my work.

What is your advice for those who are showing what they think the buyers want to see?
I think it’s important to show what you want to shoot. Show what you like. Show the story of who you are. Those authentic images hold the most magic.

Are you shooting for yourself and creating new work to keep your artistic talent true to you?
Yes, I find the more I shoot the more creatively inspired I am to shoot. It goes hand in hand. Living in two locations keeps me going and grounded as well. The Pacific Ocean and Teton Mountains are powerful places.

How often are you shooting new work?
Weekly.

————–

Lance Koudele is an American photographer born and raised in the Pacific Northwest. His early adult years were shaped by his experiences as an extreme snowboard athlete, traveling and riding mountain regions and deserted surf breaks across the globe.

Those that know him will tell you he is naturally full of peace and compassion. It was no accident that his ease of connecting personally compelled him to begin to combine people and place. His talent for capturing the magic that happens when the two come together form the foundation of his growing career.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

I Let The Life Come To The Picture: The Accidents, The Things That Happen By Chance

- - Blog News

When I’m having a shoot, in the morning the model is arriving from the hotel, the hairdresser is coming from London, a lot of different moods – one is happy, one is crying, one is angry, one is – I don’t know what – sleeping. And even if you have a precise idea of what you want to do, you can’t. Everyone is coming in with all this different energy and you have to deal with them. So you never know what you’ll do in the end. And this I like. I like the accidents, the things that happen by chance. I let the life come to the picture and the creativity flow.

via Paolo Roversi Interview | The Talks.

Art Producers Speak: Sean Murphy

We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.sease@verizon.net

Anonymous Art Buyer: I nominate Sean Murphy. Sean is tenacious at living. He is vibrant, happy with an eye of the finest artist. Each of his takes makes me say AH! and I am an artist, so that’s not always an easy thing. He goes anywhere and traveling in his giant truck, he becomes part of the culture of what he is shooting and it shows.

Monterey Tourism / Cramer-Kresselt

Monterey Tourism / Cramer-Kresselt

47 Brand / The Fantastical

47 Brand / The Fantastical

Personal trip to Nicaragua

Personal trip to Nicaragua

SRT / The Richards Group

SRT / The Richards Group

Tosin Abasi / Guitar World

Tosin Abasi / Guitar World

Stock shoot for Image Source

Stock shoot for Image Source

Cedar Fair / Cramer-Kresselt

Cedar Fair / Cramer-Kresselt

Evan Seinfeld

Evan Seinfeld

Nature's Recipe / Draft

Nature’s Recipe / Draft

AAA / The Richards Group

AAA / The Richards Group

How many years have you been in business?
Well, I got out of college in 1993. It was around 1995 that I started getting my first jobs, which at that time were mostly editorial. I knew a lot of bands, so I also ended up shooting rock and roll and album covers. I didn’t get my first advertising job until 1999, but by 2000 it became and remains the primary work that I do. I still do shoot music and editorial and I love the creative freedom it brings, but I don’t focus my energy on acquiring that work so much anymore. So, that’s the “too long” answer…it’s been about 20 years. :)

Are you self-taught or photography school taught?
School. I spent a lot of time painting and sculpting while I was growing up. I had a girlfriend with an old Pentax that she loaned me and, on a whim, I signed up for a photo class at a community college in Orlando, Florida. I got the bug immediately, quit mid-semester, and moved to Boston to go to the New England School of Photography. I graduated Valedictorian in 1993.

Who was your greatest influence that inspired you to get into this business?
Before I went to Boston, I attended that photography class in Orlando. The teacher was a retired Time-Life photographer. His hands were gnarled from years of working with the chemicals. Cool guy. He said to me, “I never say this, but you have something special. If I were you, I’d leave here and go to Boston or New York.” So I did. Within a month, I was gone.

How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
Well, for starters, I’m shooting ALL the time. I surround myself with uber-talented people. I get fueled by their vibes. And I have a crew of crazy, crazy-talented friends. They’re always keeping me laughing and I’m always inspired. So ultimately, I’m just photographing my life. I’m just grateful that who and what’s around me happens to be interesting.

Do you find that some creatives love your work but the client holds you back?
Hmm, I don’t know if I really get that direct input from the client. The creatives are acting as the intermediary.

I present my work as I see fit on my website and on social media.

Frequently, I’ll be asked by the creatives to put together a selection of work or a special presentation that they can show to the clients. If the client approves, I guess I get hired. Lately, I’m having the most fun in my career I’ve ever had. I’m getting hired to shoot exactly what I love to shoot. :)

What are you doing to get your vision out to the buying audience?
As far as the internet is concerned: website/blog, Facebook, and Instagram. The usual suspects.

My primary engagement from the buying audience comes from my website, with Facebook coming a close second.

I travel a great deal. When I do, I always make arrangements to meet art buyers and creatives all across the country.

I’ll do a mailer a few times a year, and I also have books made of my work that I’ll bring with me to show to prospective clients.

Lately, I’ve been getting more attention for some of my rock and roll photography from years past, which is now going to be shown in some galleries, so that is also another new avenue that is exposing my work.

What is your advice for those who are showing what they think the buyers want to see?
You need to show a cohesive body of work. I’ve found that that’s more impressive to the buyer than trying to show your entire bag of tricks. You want to create a relation of your name to the type of work you are selling yourself to do. You want them to say “Sean” or “this guy” can do this type of work. You don’t want to show a thousand styles.

Are you shooting for yourself and creating new work to keep your artistic talent true to you?
Non-stop. I shoot everyday. I don’t leave the house without my camera strapped around my back. I’m not doing it on purpose to keep myself fresh. I’m doing it because I love it so much.

How often are you shooting new work?
Pretty much all the time. If I’m not shooting paid work, I’m busy lining up pro-bono shoots for companies that I find interesting, working with new super creative art directors, working on collaborations with other artists, or shooting new material for stock with Getty. So my time is always busy. I’m not motivated by the money. I’m just motivated by shooting cool stuff all the time. :)

————

Over a decade later, Sean is now internationally known for creating influential, diverse award-winning campaigns for clients such as Ford, Chevy, Old Navy, Playstation, Wal-Mart and Hard Rock Café – and he’s always on time and within budgets, even when they seem unrealistic. He has also shot album covers for bands like Weezer and Tenacious D. Sean is universally recognized for his approachability with his subjects. From kids to celebrities, businessmen to bikers, everyone is at home with Sean’s larger-than-life personality, and that comfort level brings out the best in people.

www.seanmurphyphoto.com
Represented by Tom Zumpano 310-409-0249 tom@zumpanos.com

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

 

Frere-Jones and Hoefler

- - Working

Sadly, found this amazing video because of this:

In January, Frere-Jones filed a lawsuit against Hoefler, saying that their company was not actually a partnership, but a long con in which Hoefler had tricked him into signing over the rights to all of his work, cheating Frere-Jones out of his half of the business. “In the most profound treachery and sustained exploitation of friendship, trust and confidence, Hoefler accepted all the benefits provided by Frere-Jones while repeatedly promising Frere-Jones that he would give him the agreed equity, only to refuse to do so when finally demanded,” the complaint charges. Frere-Jones is asking a court to grant him $20 million.

via, spd.org.

Cindy Sherman on James Franco: ‘I Don’t Know That I Can Say It’s Art’

- - Blog News

James Franco’s recent appropriation of her acclaimed “Untitled Film Stills” series, which raised more than a few eyebrows when it debuted at Pace Gallery a few days earlier. “I was flattered, I can only be flattered,” she said with a slight sigh. “I don’t know that I can say it’s art, but I think it’s weirder that Pace would show them than that he would make them.”

via Cindy Sherman on James Franco: ‘I Don’t Know That I Can Say It’s Art’ | Gallerist.

New York Times Wins Two Photography Pulitzers

- - Blog News

The New York Times has swept the 2014 Pulitzer Prizes for photography. The staff photographer Tyler Hicks won the 2014 Pulitzer Prize in breaking news photography for his coverage of a terrorist attack at an upscale mall in Nairobi, Kenya, that left more than 60 people dead. Josh Haner was awarded the Pulitzer in feature photography for his images of the slow and painful recovery process for a survivor of the Boston Marathon bombing.

via New York Times Wins Two Photography Pulitzers.

I Can’t Do One Damn Thing Without The Love And Support Of My Wife

- - Blog News

I’m just a dude taking pictures. I appreciate the amazing opportunities that come my way but I don’t really enjoy being in the spotlight. I’m not trying to be anyone’s idol. That’s for sure. The fact of the matter is I can’t do one damn thing without the love and support of my wife. She is my better 7/8ths. When I’m sitting at a table listening to Joe McNally tell stories and share his experiences, she’s at home folding laundry. When I’m hoping and praying that I get an upgrade to business class, she’s getting four kids to four different schools in the morning. When I’m out with a camera in my hand, her piano sits dormant.

via GPP Shootout :: A Story For My Wife · DEDPXL.

Art Producers Speak: Therese + Joel

We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.sease@verizon.net

Anonymous Art Buyer: I nominate Therese + Joel as they are a great team and the one’s to keep an eye on!

Portrait of pop singer Betty Who for Out Magazine's "The Young and Restless" Musician Portfolio.

Portrait of pop singer Betty Who for Out Magazine’s “The Young and Restless” Musician Portfolio.

Victoria's Secret Model Elsa Hosk channeling Nancy Sinatra for Galore Mag's "Women Who Rock" issue.

Victoria’s Secret Model Elsa Hosk channeling Nancy Sinatra for Galore Mag’s “Women Who Rock” issue.

Campaign for FLKLR Surf, shot at Rockaway Beach, New York.

Campaign for FLKLR Surf, shot at Rockaway Beach, New York.

Portrait of the actress and filmmaker Greta Gerwig shot for TIME Magazine. It was also named one of TIME's Best Portraits of 2013

Portrait of the actress and filmmaker Greta Gerwig shot for TIME Magazine.
It was also named one of TIME’s Best Portraits of 2013

We were commissioned by TIME Magazine to document New York Fashion week. This is one of our favorite photographs, shot at the Marc Jacobs Fall/Winter 2013 show. The image depicts models walking towards a large indoor "sun" installed at the venue, referencing artist Ólafur Elíasson's weather project.

We were commissioned by TIME Magazine to document New York Fashion week. This is one of our favorite photographs, shot at the Marc Jacobs Fall/Winter 2013 show. The image depicts models walking towards a large indoor “sun” installed at the venue, referencing artist Ólafur Elíasson’s weather project.

One of our favorite photographs of model Sara Blomqvist, included in our personal series "On Leaving".

One of our favorite photographs of model Sara Blomqvist, included in our personal series “On Leaving”.

Fashion editorial for Revs Magazine, shot in Lidingö, Sweden.

Fashion editorial for Revs Magazine, shot in Lidingö, Sweden.

Campaign for womenswear label Skotison. We absolutely loved the concept of the collection: B-list horror movies, The Cramps and goths at the beach.

Campaign for womenswear label Skotison. We absolutely loved the concept of the collection: B-list horror movies, The Cramps and goths at the beach.

Personal work, from the series "Three Graces", photographed in Sweden.

Personal work, from the series “Three Graces”, photographed in Sweden.

A very recent portrait of director Woody Allen, together with theatre director and choreographer Susan Stroman for TIME Magazine, shot at the St. James Theatre in New York City.

A very recent portrait of director Woody Allen, together with theatre director and choreographer Susan Stroman for TIME Magazine, shot at the St. James Theatre in New York City.

How many years have you been in business?
About four years now. 

Are you self-taught or photography school taught?
We met while both studying at Parsons in Paris and later transferred over to Parsons the New School of Design in New York, from where we graduated.

Who was your greatest influence that inspired you to get into this business?
Therese was very influenced by her mother, who is a photographer. Joel doesn’t have one exact source of inspiration; the fascination for storytelling has been there as far as he can remember – it has just perhaps changed mediums over the range of years from written to visual. However, the greatest inspiration for both of us must be film - early European cinema, great minds like Ingmar Bergman, Carl Theodor Dreyer, Douglas Sirk, the melodrama of film noir, our similar taste in music (power ballads, italo disco), as well as 90s masterpieces like Twin Peaks, and Tim Burton’s Catwoman – tragic pop culture icons.

We were also heavily influenced by our Nordic surroundings – Therese grew up in Stockholm, Sweden, and Joel in Finnish Lapland. Even if a bit of a cliché, the pitch-black, arctic surroundings have definitely played a great influence on us. 

How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
Perhaps it’s not so much about staying fresh and/or following trends – we rather try to do what we find interesting, inspiring and beautiful. 

Since we are two it is important for us to discuss and communicate our ideas with one another. It is helpful though that we share a lot of interests, but also important to disagree at times to challenge each other. Usually one of us comes up with something they find inspiring, and the other one takes it to another level. In that way, we complete each other’s sentences. 

Do you find that some creatives love your work but the client holds you back?
Communication is truly key, as well as staying true to your vision and doing what you do best – not trying to mimic something else to become more accessible. That being said, it is of course important to stay flexible. And occasionally art buyers or creatives find our darker work the most interesting, but have a difficult time to convince the client to go for something less mainstream. 

What are you doing to get your vision out to the buying audience?
Editorial work has been very important for us in approaching different and larger audiences.

We find social media to be extremely helpful: Instagram, Facebook and Tumblr. Not only just to get our work out there, but also for other reasons like casting for example. We also find that social media makes us more accessible; it’s a great way to interact, as well as to show our process.

What is your advice for those who are showing what they think the buyers want to see?
Understand your audience. Taste varies, but it’s really hard to get away from bad editing – sequencing your book appropriately is a crucial step in storytelling. 

Are you shooting for yourself and creating new work to keep your artistic talent true to you?
We work when we are not working: personal projects are incredibly important to us. We find it very helpful to our creative process to constantly produce new work – not only to try out new things, but also keep exceeding at what we do.

How often are you shooting new work?
As often as possible - commissioned work keeps us very busy, but we try to shoot at least one new personal project every month.

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Therese Öhrvall and Joel Jägerroos are a Swedish-Finnish photography team. They live and work in New York City.

Therese + Joel’s work has been exhibited internationally, including The Georgia O’Keeffe Museum, Santa Fe, New Mexico, The Hermitage, St. Petersburg, Russia, Krasnoyarsk State Museum in Siberia, Milk Gallery & F.L.O.A.T. Gallery in New York City, Gallery S. Bensimon in Paris, France and Ricoh Ring Cube Gallery in Tokyo, Japan.

Their clients include TIME Magazine, Wired, REVS, The Wall Street Journal, The Times, S Magazine, Out Magazine, FLATT Magazine, Milk Made, Galore Mag, IVANAHelsinki, Bullett Magazine and New York Post, amongst others.

Therese + Joel were selected as one of the 30 emerging photographers to watch in 2011 by Photo District News. Their photo of Greta Gerwig was named as one of TIME’s Best Portraits of 2013.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

Emotionally I want to try and stop the theft, but logically I think it is probably better for one’s career to go for the visibility.

- - Blog News

…when your images are stolen, I suspect there really isn’t that much damage done financially to individual photographers (hey…don’t flame me for saying that), though collectively there sure is a lot of money being left on the table! Ultimately, if someone steals the image I get nothing, if they don’t steal I get nothing, but if they share it there may be profit for me in increased links, web traffic and visibility.

via The Stock Photo Guy – John Lund Stock Photographer: Watermarks, Theft And Visibility.