Posts by: A Photo Editor

Hiring An Architectural Photographer

- - Working

Over on our sister blog, Photography & Architecture, we have an excellent post up informing Architects how to go about hiring a photographer. Julia Sabot interviewed Redeye Reps founder Maren Levinson about the process. You may find some good info in there or you may want to pass some advice onto potential clients:

There should be a cancellation policy or weather provision set up in advance, especially if there are multiple exterior shots on the list. Professional photographers are freelance. If they take your job, it is likely they are saying no to another. If you cancel without any notice due to weather or scheduling, they will want some sort of compensation for the day they did not accept another job. Mostly photographers will be reasonable about this and if they are local, could be ok with waiving it, but it should be discussed in advance.

pandainterview

Photographer Holiday Cards

- - Working

Who better to keep the Holiday Card tradition alive than professional photographers… this is in your wheelhouse folks. Here’s a few to get started, post links in the comments to your holiday card and I’ll add them to the list. Here’s to a happy and successful 2014 for everyone.

01Martin_Schoeller

More here: http://www.newyorker.com/online/blogs/photobooth/2013/12/a-merry-photographer-christmas.html

20131118194923-e1387469216180

http://thomasleetruewest.com/2013/12/19/best-wishes/

xmas2013

http://www.shanekislack.com/xmas/

Personal Photos

http://www.portergifford.com/studium/?p=1964

LiveMusicalExperience-with-Image

http://jeffsingerphotography.com/promo/201312-livemusic/

052_Image_002-1-Edit

http://laurengrabelle.blogspot.com/2013/12/happy-holidays-montana-editorial-fine.html

http://www.tedweinstein.com/pics/2013/

postcard_template_us

http://sethlowephoto.tumblr.com/post/70507348230/merry-christmas-shot-this-photo-in-my-hometown

canvas copy

http://reciprocity-failure.blogspot.com/2013/12/christmas-card-of-year.html

2013_holiday_promo1

http://robertolding.wordpress.com/2013/12/21/happy-holidays/

20131116_MCG0032_Christmas-Edit

http://matthewginn.com/happy-holidays/

BcB-GysCIAA-VdI

https://twitter.com/Don_Johnston/status/414469820860473344/photo/1

5"x7" Post Card Template

http://klikphotographic.com/newsletter/dec2013/5X7%20copy%20low%20res.jpg

santa

http://www.mikepinches.com/santa

tumblr_my8ixyrHgr1qca6b2o1_r2_1280

http://johnkealey.tumblr.com/

xmas2013

http://www.johnzillioux.com/Clientarea/Cards2.html

davehutchinson

http://davehutchinson.photoshelter.com/image/I0000URntjP8WJbM

cassonxmas2013

http://casson.com.au/cassonxmas2013.jpg

1508191_10151795770581951_1436661311_n

https://www.facebook.com/photo.php?fbid=10151795770581951&set=a.10151665444596951.1073741825.82326371950&type=1&theater

wendy_carrig_photography

http://wendycarrig.wordpress.com/2013/12/20/joyeux-noel/

santa

http://www.srobertsphoto.com/happy-holidays

tumblr_my0mrgvKZb1qzpo12o1_1280

http://dwphoto.tumblr.com/post/70911266023/happy-holidays

Petition Reuters To Take accountability on the murder of Molhem Baraka

- - Blog News

Molhem Barakat, a 17-year-old Syrian photographer who took pictures for Reuters as freelancer, was  killed Friday, December 20th as he took photographs of a battle over a hospital between rebels and forces loyal to President Bashar al-Assad in Aleppo.

Why is Reuters paying an unexperienced 17-year-old kid to photograph for them in one of the bloodiest civil wars in modern history?

via Petition | Change.org.

Art Producers Speak: Henrique Plantikow

- - Art Producers Speak

We emailed Art Buyers and Art Producers around the world asking them to submit names of established photographers who were keeping it fresh and up-and-comers who they are keeping their eye on. If you are an Art Buyer/Producer or an Art Director at an agency and want to submit a photographer anonymously for this column email: Suzanne.sease@verizon.net

Anonymous Art Buyer: I nominate Henrique Plantikow. I’ve been keeping my eye on him and feel he is prolific and fresh.

This guy is showing us his lip tattoo.

This guy is showing us his lip tattoo.

This is part of a series I photographed called "The Trestle". I had heard of this location; the only way to get there was by swimming or walking on the broken bridge and jumping in.

This is part of a series I photographed called “The Trestle”. I had heard of this location; the only way to get there was by swimming or walking on the broken bridge and jumping in.

I took this photo at the swimming pool where I used to live.

I took this photo at the swimming pool where I used to live.

I met these siblings in New Hampshire; they were traveling from California with nothing but a backpack each. We shot these at a local laundry mat.

I met these siblings in New Hampshire; they were traveling from California with nothing but a backpack each. We shot these at a local laundry mat.

I prefer not to comment on this one.

I prefer not to comment on this one.

I think what makes this portrait interesting are the New England fall/winter colors, everything is so muted.

I think what makes this portrait interesting are the New England fall/winter colors, everything is so muted.

Kids have so much energy and life; it's always a fun experience working with them.

Kids have so much energy and life; it’s always a fun experience working with them.

This is one of the photographs I stumbled on. The power of photography, is the ability to capture a moment that's gone forever in a fraction of a second.

This is one of the photographs I stumbled on. The power of photography, is the ability to capture a moment that’s gone forever in a fraction of a second.

I love improvising and making it up on the spot; this was photographed in an apartment in Boston.

I love improvising and making it up on the spot; this was photographed in an apartment in Boston.

This is from a recent library of images I took for Samsonite's back to college campaign.

This is from a recent library of images I took for Samsonite’s back to college campaign.

How many years have you been in business?
I’ve been shooting professionally for about 2 years, before that I stayed busy building my portfolio.

Are you self-taught or photography school taught?
I’m mostly self-taught. I studied graphic design in school, and learned things like composition and color theory, that also apply to photography. I learn by doing; I got a piece of advice from Kurt Markus that I’ve taken to heart. He said to me “if you’re curious about how photography works, just go out and try it”. I did, and photography became a process of self-discovery, I started going out and finding what was interesting to me.

Who was your greatest influence that inspired you to get into this business?
The reason I got into this business was because I fell in love with telling stories and creating moments. I was also inspired by the work of Bruce Weber and certain independent films like “Y Tu Mamá También”. What inspired me was the freedom to create something original.

How do you find your inspiration to be so fresh, push the envelope, stay true to yourself so that creative folks are noticing you and hiring you?
This might sound cliché but I find inspiration in the people around me. One of the things I enjoy doing is street casting; going to an unknown place with strangers and getting them to open up in front of the camera. The process is one of the rewards for me. I’ve made many friends because of photography.

Do you find that some creatives love your work but the client holds you back?
It depends on the client; some are more conservative than others. At the end of the day, I’m there to bring the art director’s vision to life; it can be tough for them when they have good ideas turned down by clients. That’s why I keep creating personal work, I’m in control.

What are you doing to get your vision out to the buying audience?
I focus most of my attention on creating new work. I’ve also relied on in-person meetings and referrals. Meeting someone in person is important for me; I’ve been told that I look much different than what they expected. I started blogging recently; it gives me a chance to talk about my work. I also signed with an agent that has been showing my portfolio all over.

What is your advice for those who are showing what they think the buyers want to see?
The biggest decision you make when you decide to become a photographer is: what will I shoot? I think there are two schools when it comes to this. One way is to pick a category of commercial photography, and build a body of work around that category. This is easier in the short term because you have a map to follow. But you’re second-guessing and copying what’s already been done.

The 2nd way is to develop your personal voice. This is harder in the beginning, and will take longer to get noticed. But in the long run you’ll create work that’s authentic to you.

Are you shooting for yourself and creating new work to keep your artistic talent true to you?
All the time. That’s when I’m having the most fun…

How often are you shooting new work?
It depends on the week; I like to keep it spontaneous. One thing I do is, go on a sprint of shooting, then I take some time to review and edit what I got.

Born in a small Brazilian town, Henrique grew up a very free spirit. His earliest memories include walking around his neighborhood hanging out with his friends getting in to trouble. He believes that from this time on he was subconsciously drawn to street culture, an ever present theme in his photography today. However, photography was not Henrique’s first love or foray in to the commercial world, he actually began as a graphic designer, a skill he believes informed his overall aesthetic. After 7 yrs of staring at a computer screen for 9+ hrs a day, a tired Henrique picked up a camera and has yet to put it down. His images have graced the pages of Dazed & Confused, Flaunt, Paper, and Out. Clients love his raw, authentic style, energetic work ethic, and desire to tell stories through his images.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

 

How Ted Koppel and ABC TV Tried to Steal my Life Work

- - copyright

By Nate Thayer

December 8, 2013

I am banned by legal agreement to write the following: ABC Television/ Disney Corporation, after seven years in court, where they attempted to bankrupt me and ruin my reputation for objecting to them stealing fifteen years of my life work, buckled and paid me. They have the legal right to take back the money they finally paid me–which actually all went to lawyers and taxes–if I open my mouth.

Fuck them.

Good luck getting blood from a stone while trying to attempt to muzzle a free person in a free society while claiming you are an icon of the free press and free speech

So here goes…..

http://natethayer.wordpress.com/2013/12/08/how-ted-koppel-and-abc-tv-tried-to-steal-my-life-work/

Thx, Julian

Art Start

- - Blog News

Art Start & Gerstein Fisher present
The Family Portrait Project
Portraits & Stories Celebrating the Strength of New York City Families Navigating Challenging Times
Opening Reception Thursday December 19, 6 – 10 PM
West Chelsea Arts Building 508 West 26th Street, Loft 5G, New York City

artstart_invite

Criticism Can Help Us Appreciate Photography

- - Blog News

The role of the critic in fact is not be to berate “the masses” for their choices. That would indeed be a bad form of elitism. Instead, the critic’s role consists of talking about artistic merit, in particular how it can be determined. A good critic is more like an educator who helps us when we have to make our choices, who help us see photographs with a fresh set of eyes. If I like the pictures by this particular artist, maybe there is something to them that makes me appreciate them even more? Or if I don’t like the pictures by that other artist, maybe I can revisit them and look at something I haven’t seen, to build an appreciation?

via In Defense of Merit | Conscientious Photography Magazine.

When people put millions on the table, they want to know what they’re getting.

- - Blog News

The clients are in a different space today. They don’t want to take risks. They want to see the advertising campaign before it is shot. It’s not like 10 years ago. That’s finished. You have to bring the clients so many references. So everyone’s work is referenced. There is not one picture that is new, let me tell you this. And the clients don’t want a new picture.

via The Image Chaser – NYTimes.com.

Professional Photographer Webcast Live: Working With Agents

Professional Photographer Webcast Episode 5
Topic: Working with an agent
When: Today at 2:00 EST
Where: Here on aphotoeditor.com and Google +

Suzanne Sease and I will be joined by artist rep Heather Elder. Suzanne as you may know comes from the Art Buying side of the business with many years of experience working at Advertising Agencies. Heather is an agent for 8 top commercial and editorial photographers several of whom also shoot motion. In addition to repping she has a must read blog called “Notes From A Rep’s Journal” where she shares the inside dope on working with Art Buyers, Estimating and all things concerning photographers and reps. She’s not afraid to tell it how it is, so I’m really excited to have her on the webcast Wednesday.

I know you will have lots of questions for her so fire away by email rob@aphotoeditor.com (Note: you will remain anonymous on the webcast, I will not share your identity with anyone) or during the webcast on Google+.

You can see our previous episodes over on the APE Google+ page (here).

Show Notes:

Heather: http://www.heatherelder.com
Rob: http://aphotofolio.com
Suzanne: http://suzannesease.com

Finding an Agent: http://theagentlist.com

Letter from a photographers agent: http://elderrep.wordpress.com/2013/10/08/dear-photographer-an-open-letter-from-a-photographers-agent/

If you can’t get to where you want to go, you need to work harder

- - Blog News

…the appropriate time to search for representation is when you literally can no longer manage shooting and client requests and calendars and making estimates and negotiating various licenses and shoot deliverables all at once.

The other time an agent is helpful is if you’re extraordinarily talented but a recluse, and want someone to be your “face” and leave it up to you to just make photographs. But the key thing here is that you need to be extraordinarily talented. Extraordinarily. Talented.

via PDNPulse » Pro Tips for Photographers with Jake Stangel.

Professional Photographer Webcast: Working With Agents, Wednesday December 4th at 2:00 EST

Professional Photographer Webcast Episode 5
Topic: Working with an agent
When: Wednesday, December 4th at 2:00 EST
Where: Here on aphotoeditor.com and Google +

Suzanne Sease and I will be joined by artist rep Heather Elder. Suzanne as you may know comes from the Art Buying side of the business with many years of experience working at Advertising Agencies. Heather is an agent for 8 top commercial and editorial photographers several of whom also shoot motion. In addition to repping she has a must read blog called “Notes From A Rep’s Journal” where she shares the inside dope on working with Art Buyers, Estimating and all things concerning photographers and reps. She’s not afraid to tell it how it is, so I’m really excited to have her on the webcast Wednesday.

I know you will have lots of questions for her so fire away by email rob@aphotoeditor.com (Note: you will remain anonymous on the webcast, I will not share your identity with anyone) or during the webcast on Google+.

You can see our previous episodes over on the APE Google+ page (here).

Daniel Morel Awarded $1.2 Million For Willful Copyright Infringement

- - copyright

“I hope the internet is going to be a little safer now for all artists, all photographers,” he told PDN the day after the jury reached its verdict.

Morel also said he took personal satisfaction in defeating the teams of lawyers from AFP and Getty that he has been fighting for nearly four years.

“That was the most beautiful moment of my life, the look in their faces when they lost. They were so arrogant,” he said. “Those guys [AFP and Getty] knew I was small, and thought there was no way I could sue them, and they took advantage of me. They thought they were untouchable.”

Read more at: http://www.pdnonline.com/news/Morel-v-AFP-Copyrig-9598.shtml