Posts by: A Photo Editor

How Ted Koppel and ABC TV Tried to Steal my Life Work

- - copyright

By Nate Thayer

December 8, 2013

I am banned by legal agreement to write the following: ABC Television/ Disney Corporation, after seven years in court, where they attempted to bankrupt me and ruin my reputation for objecting to them stealing fifteen years of my life work, buckled and paid me. They have the legal right to take back the money they finally paid me–which actually all went to lawyers and taxes–if I open my mouth.

Fuck them.

Good luck getting blood from a stone while trying to attempt to muzzle a free person in a free society while claiming you are an icon of the free press and free speech

So here goes…..

http://natethayer.wordpress.com/2013/12/08/how-ted-koppel-and-abc-tv-tried-to-steal-my-life-work/

Thx, Julian

Art Start

- - Blog News

Art Start & Gerstein Fisher present
The Family Portrait Project
Portraits & Stories Celebrating the Strength of New York City Families Navigating Challenging Times
Opening Reception Thursday December 19, 6 – 10 PM
West Chelsea Arts Building 508 West 26th Street, Loft 5G, New York City

artstart_invite

Criticism Can Help Us Appreciate Photography

- - Blog News

The role of the critic in fact is not be to berate “the masses” for their choices. That would indeed be a bad form of elitism. Instead, the critic’s role consists of talking about artistic merit, in particular how it can be determined. A good critic is more like an educator who helps us when we have to make our choices, who help us see photographs with a fresh set of eyes. If I like the pictures by this particular artist, maybe there is something to them that makes me appreciate them even more? Or if I don’t like the pictures by that other artist, maybe I can revisit them and look at something I haven’t seen, to build an appreciation?

via In Defense of Merit | Conscientious Photography Magazine.

When people put millions on the table, they want to know what they’re getting.

- - Blog News

The clients are in a different space today. They don’t want to take risks. They want to see the advertising campaign before it is shot. It’s not like 10 years ago. That’s finished. You have to bring the clients so many references. So everyone’s work is referenced. There is not one picture that is new, let me tell you this. And the clients don’t want a new picture.

via The Image Chaser – NYTimes.com.

Professional Photographer Webcast Live: Working With Agents

Professional Photographer Webcast Episode 5
Topic: Working with an agent
When: Today at 2:00 EST
Where: Here on aphotoeditor.com and Google +

Suzanne Sease and I will be joined by artist rep Heather Elder. Suzanne as you may know comes from the Art Buying side of the business with many years of experience working at Advertising Agencies. Heather is an agent for 8 top commercial and editorial photographers several of whom also shoot motion. In addition to repping she has a must read blog called “Notes From A Rep’s Journal” where she shares the inside dope on working with Art Buyers, Estimating and all things concerning photographers and reps. She’s not afraid to tell it how it is, so I’m really excited to have her on the webcast Wednesday.

I know you will have lots of questions for her so fire away by email rob@aphotoeditor.com (Note: you will remain anonymous on the webcast, I will not share your identity with anyone) or during the webcast on Google+.

You can see our previous episodes over on the APE Google+ page (here).

Show Notes:

Heather: http://www.heatherelder.com
Rob: http://aphotofolio.com
Suzanne: http://suzannesease.com

Finding an Agent: http://theagentlist.com

Letter from a photographers agent: http://elderrep.wordpress.com/2013/10/08/dear-photographer-an-open-letter-from-a-photographers-agent/

If you can’t get to where you want to go, you need to work harder

- - Blog News

…the appropriate time to search for representation is when you literally can no longer manage shooting and client requests and calendars and making estimates and negotiating various licenses and shoot deliverables all at once.

The other time an agent is helpful is if you’re extraordinarily talented but a recluse, and want someone to be your “face” and leave it up to you to just make photographs. But the key thing here is that you need to be extraordinarily talented. Extraordinarily. Talented.

via PDNPulse » Pro Tips for Photographers with Jake Stangel.

Professional Photographer Webcast: Working With Agents, Wednesday December 4th at 2:00 EST

Professional Photographer Webcast Episode 5
Topic: Working with an agent
When: Wednesday, December 4th at 2:00 EST
Where: Here on aphotoeditor.com and Google +

Suzanne Sease and I will be joined by artist rep Heather Elder. Suzanne as you may know comes from the Art Buying side of the business with many years of experience working at Advertising Agencies. Heather is an agent for 8 top commercial and editorial photographers several of whom also shoot motion. In addition to repping she has a must read blog called “Notes From A Rep’s Journal” where she shares the inside dope on working with Art Buyers, Estimating and all things concerning photographers and reps. She’s not afraid to tell it how it is, so I’m really excited to have her on the webcast Wednesday.

I know you will have lots of questions for her so fire away by email rob@aphotoeditor.com (Note: you will remain anonymous on the webcast, I will not share your identity with anyone) or during the webcast on Google+.

You can see our previous episodes over on the APE Google+ page (here).

Daniel Morel Awarded $1.2 Million For Willful Copyright Infringement

- - copyright

“I hope the internet is going to be a little safer now for all artists, all photographers,” he told PDN the day after the jury reached its verdict.

Morel also said he took personal satisfaction in defeating the teams of lawyers from AFP and Getty that he has been fighting for nearly four years.

“That was the most beautiful moment of my life, the look in their faces when they lost. They were so arrogant,” he said. “Those guys [AFP and Getty] knew I was small, and thought there was no way I could sue them, and they took advantage of me. They thought they were untouchable.”

Read more at: http://www.pdnonline.com/news/Morel-v-AFP-Copyrig-9598.shtml

 

Twitter Q&A With Sam Jones, Tuesday 2pm EST

- - Working

Sam Jones (@samjones) and I (@aphotoeditor) are going to have a Twitter Q&A on Tuesday Nov 26th at 2 EST. Follow Sam and ask any questions you have about working as a pro photographer.

Sam is well known a Los Angeles based Celebrity and Portrait photographer who also shoots documentary films and music videos. His most recent music video for Mumford & Sons went viral:
http://www.youtube.com/watch?v=rId6PKlDXeU

Hopefully we can answer your most pressing questions in 140 characters or less…

Use this hashtag to see the questions and answers: #asksj

Discovering Digital Landscapes At 75

- - Blog News

…I enjoy digital more. I don’t carry a computer. I come inside in the evening, and until 12 o’clock I look at the screen on the back of the camera, and I eliminate.

Landscape photography is fantastic. It’s not by chance that as they get older many photographers start with the landscape. There are certain things you have to do to photograph people — you have to be able to run.  If you photograph people, all of the time you are running after something and you are losing all the time. With landscapes you are waiting all the time. It’s much more relaxing.

via Josef Koudelka: A Restless Eye – NYTimes.com.

Everything Influences Me

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I have never had any hero in my life or in photography. I just travel, I look and everything influences me. Everything influences me. I am quite different now than I was 40 years ago. For 40 years I have been traveling. I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind.

via Josef Koudelka: A Restless Eye – NYTimes.com.

Photography Is As Badly Understood As Ever By Both Its Makers And Viewers

- - Blog News

So we need to go back and give that medium a good, hard look again. What does it actually do? Not what we think it does, not what we want it to do. Instead: What does it do? And how does it do that? We need to think about that process of defamiliarization.

Instead of whining about the limitations of the medium, we need to start appreciating those very limitations. It is right here that the promises lie.

via The Challenge of Photography | Conscientious Photography Magazine.

Auctions Change The Conversation From Art To Money

- - Blog News

Auctions make me sick. I can’t stand them. They’re ruining the art world. They change the conversation from art to money, from quality to quantities, and now those quantities are mass quantities. Hey did you ever notice the word tities is in quantities?

The Francis Bacon is completely predictable. A middle-brow painting by a middle-brow painter painting another middle-brow painter.

via Jerry Saltz’s Best Responses From His Reddit AMA — Vulture.