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“I do feel these are extraordinary times. I do feel that we in a sense are at the beginnings of a renaissance with regards to journalism,” he said. “I know that’s hard for many people to hear given the pain of the disruption to the traditional sources.”
Now it is almost impossible for me to shoot a photo where someone is NOT taking a picture or posing for one. So I am under the impression that no-one is really paying attention to the splendours and beauties of the site, as the urge to photograph is so overwhelming. The photographic record of the visit has almost destroyed the very notion of actually looking.
I’m a fan, personally, of art that sucks at marketing itself, that doesn’t have a cute backstory or a built-in ‘platform,’ that is not cuddly or ‘adorkable’ and doesn’t immediately lend itself to a hierarchy of ‘rewards’ for ‘backers,’ that is antisocial and prickly and deeply strange.
journalism is not being disrupted by better journalism but by things that are hardly recognizable as journalism at all. Stepping up your game is always a good idea, but it won’t save you.
via stdout.be | Fungible.
We never discovered how to avoid the necessity of designing both landscape and portrait versions of the magazine for the app. We wasted $124,000 on outsourced software development. We fought amongst ourselves, and people left the company. There was untold expense of spirit. I hated every moment of our experiment with apps, because it tried to impose something closed, old, and printlike on something open, new, and digital.
"Truth be told—I like seeing photographs that I don't like. It makes me question why I don't like them, which in turn makes me question why I like the pictures I do like!
Comment by Simon Robinson on The Online Photographer.
There is a universal truth about creatives: At some point in his or her career, he or she will have an ego that far outweighs the depth of their experience and the quality of their work. It may last for decades or it could shrink the minute that person walks out of art school.
via CLREPS.
I would put the value back on to certain creative. It’s not about money, but it is about value. You can have it good, fast or cheap, but you can only have two. And people are leaving ‘good’ out of it and want it fast and cheap. I would like everyone to slow it down just a little bit to bring back the quality a bit. To have the appreciation for things that are of quality. Just want job done well and with passion. Nothing is free, the fact that seems to be lost lately.
--Cindy Hicks of The Martin Agency
Read more: Heather Elder Represents Blog.
What is the key to producing constant, memorable work over a number of years?
A healthy fear of failure. You've got to get behind the mule every morning and plow.
via - Grids - SPD.ORG.
The publishing world has been continuously startled by the announcements of Amazon’s new print publishing imprints, and this has been going on for a good year. It’s quite funny that Amazon was able to sneak up on everyone, since this has been part of a chain of events dating back to at least 2005 and probably earlier than that.
via Startup Grind.
A Photo Editor (APE) is edited by Rob Haggart, the former Director of Photography for Men's Journal and Outside Magazine. Contributors include fine art photographer Jonathan Blaustein (@jblauphoto), Creative Director Heidi Volpe, photography consultant Suzanne Sease and Production Director Jess Dudley of Wonderful Machine.
