Category "The Daily Edit"

The Daily Edit – Thursday
2.16.12

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Real Simple

Creative Director: Janet Froelich
Design Director: Cybele Grandjean
Art Director: Abbey Kuster-Prokell
Photo Director: Casey Tierney
Photo Editor: Lauren Reichbach Esptein

Photographer: Mary Rozzi

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Wednesday
2.15.12

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Food Network

Design Director: Deirdre Koribanick
Art Director: Ian Doherty
Photo Director: Alice Albert
Photo Editor: Kathleen E. Bednarek

Photographer: Yunhee Kim

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Tuesday
2.14.12

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Glamour

Design Director: Geraldine Hessler
Photo Director: Suzanne Donaldson
Art Director: Sarah Vinas
Senior Photo Editor: Martha Marisanty

Photographer: Jason Nocito

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Monday
2.13.12

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The Red Bulletin


Creative Photo Director:
Susie Forman
Chief Photo Editor: Fritz Schuster
Deputy Photo Editors: Valerie Rosenberg, Catherine Shaw, Rudolf Ubelhor
Creative Director: Erik Turek
Art Director: Kasimir Reimann 

Photographer:Philip Horak

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Friday
2.10.12

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Shape

Creative Director: Ben Margherita
Design Director: Sarasvati Munoz
Photo Director: Toni Paciello
Associate Photo Editor: Joanna Muenz

Photographer: Tom Corbett

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Thursday
2.9.12

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More

Creative Director: Debra Bishop
Photo Director: Natasha Lunn
Associate Art Director: Susanne Bamberger
Associate Photo Editor: Jennifer Dessinger

Photographer: Dan Winters

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Tuesday
2.7.12

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The New York Times Magazine

Design Director: Arem Duplessis
Director of Photography: Kathy Ryan
Art Director: Gail Bichler
Deputy Art Director: Caleb Bennett

Photographer: Joel van Houdt

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Monday
2.6.12

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Bike Magazine

Photo Editor: David Reddick
Assistant Photo Editor: Anthony Smith
Art Director: Shaun  N. Bernadou

Photographer: Dan Barham

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Friday
2.3.12

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Backpacker

Creative Director: Matthew Bates
Senior Associate Photo Editor: Genny Fullerton
Art Director: Jacqueline McCaffery

Photographer: Jason Florio

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

Heidi: What is the biggest challenge in doing an assignment like this?
Jason: For me the biggest challenge was the often constant sprinting and shooting, at times for 8 hours, covering up to 15 miles a day for 4 days! Running ahead of the hikers to shoot them coming towards me in the landscape. Running to catch up with them as I shot something along the way or waiting for them to become small figures in the environment .Shoot, then sprint to re-join them. Shoot, sprint, shoot.

Did you pitch this story or did they assign this to you?
Backpacker magazine approached me. The photo editor Julia Vandenoever had seen my work and also heard I had made a 930km expedition by foot in The Gambia, West Africa in 2009 with my wife, so thought I’d be a good candidate for such an assignment

Who are your backpacking companions? Was the writer one of them?
Yes, I was with the writer, Dennis Lewon who is Executive Editor at Backpacker. Dennis was a pleasure to walk/run and work with. I really enjoy working along-side writers on assignments as you have another set of eyes and ears and especially in Dennis’s case where he was the main character in many of the images, which we crafted together in number of instances. The other two folks were David Landis and his wife Anna, two intrepid young Americans, who co-founded the ‘Jesus Trail’ route. They both brought extensive knowledge of the area with them, so I not only got to enjoy the scenery and culture, but gained great insight into the area during biblical as well as modern times from them.

The Daily Edit – Thursday
2.2.12

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National Geographic

Creative Director: Bill Marr
Deputy Creative Director: Kaitlin M. Yarnall
Design Director: David C. Whitmore
Art Director: Juan Velasco 
Deputy Photography Director: Ken Geiger

Photographer: Martin Schoeller

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Wednesday
2.1.12

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Golf Digest

Creative Director: Ken DeLago
Director of Photography: Christian Iooss
Art Director: Tim Oliver
Associate Art Directors: Riva Schwartz, Doug Wheeler 

Photographer: Peter Schafrick

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

Heidi: Was that commissioned or existing work?
Peter: The piece I shot for Golf Digest was commissioned. They saw some of my personal work I shot using paint and sporting equipment (baseball, football, hockey, and tennis) plus some of the work I’ve done with paint and flowers – and they wanted something similar. Their requirements were that the equipment not be brand recognizable in order to create an powerful image to open for their ‘hot’ new golf gear.

Is that a special type of paint for your splash and crash series?
Nope. Just regular paint.

Did you specifically set out to develop that body of work? How did that idea come about?
My first experiments were with a rose, that I dunked in paint and twirled around. I then expanded the technique by doing a sports theme.

Are you using fans or is it all real motion?
It’s all real motion. I hold the club, dunk it, then swing it.

“The Making Of” shows us this must be a difficult edit because there are so many options, how do you edit this work?
Edits can be a chore! It’s so subjective, and so many of the shots each have their own uniqueness and beauty. Some are very splashy and look really amazing, some more elegant and they too look great. It’s quite easy to come up with at least 6 very unique and interesting final from a shoot like this. Usually the client has a very specific look in mind, so many times the out-takes make it into my book.

Who cleans up the mess?
The mess is somewhat controlled with a lot of plastic. We just wrap it all up and let the paint dry (I also place a piece of optical glass in front of my camera/lens). Then we dispose of the dried paint properly. I’ve got my lucky boots I wear on set, and I have a selection of paint clothes I wear as well. Although the paint can linger on my hands for a few days.

The Daily Edit – Tuesday
1.31.12

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Outdoor Life

Design Director: Sean Johnston
Associate Art Directors: Kim Eddy, Shayna Marchese, James A. Walsh
Photography Director: John Toolan
Photo Editor: Justin Appenzeller

Photographer: Jens Mortensen

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Monday
1.30.12

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New York Magazine

Photography Director: Jodi Quon
Art Director: Randy Minor
Deputy Art Director: Hitomi Sato
Senior Photo Editor: Lea Golis

Photographer: Moises Saman

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted

The Daily Edit – Thursday
1.26.12

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GQ

Design Director: Fred Woodward
Director of Photography: Dora Somosi
Art Director: Thomas Alberty
Senior Photo Editor: Krista Prestek

Photographer: Ethan Levitas

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted 

The Daily Edit – Wednesday
1.25.12

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Harper’s Bazaar

Creative Director: Stephen Gan
Design Director: Elizabeth Hummer
Photography and Bookings Director: Zoe Bruns
Associate Art Director: Gary Ponzo
Senior Photo and Bookings Director: Barbara Tomassi

Photographer: Mario Sorrenti

Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted.