I’m troubled by how the internal dynamic of the biomorphic forms verges on codifying the accessibility of the work.
…never again feel at a loss for pithy commentary or savvy “insights.” (here). Thx Mark.
I’m troubled by how the internal dynamic of the biomorphic forms verges on codifying the accessibility of the work.
…never again feel at a loss for pithy commentary or savvy “insights.” (here). Thx Mark.
Comments 8
I’m not sure that piece is worth the money.
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Posted 21 Sep 2009 at 8:38 am ¶Oh this is too much fun. I adore the fact they give your the generator tables.
I’m going to have fun with this.
Thanks!
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Posted 21 Sep 2009 at 9:47 am ¶“With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the distinctive formal juxtapositions.”
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Posted 21 Sep 2009 at 9:57 am ¶“In my work I always strive for a dynamic play of reality and fiction, prioritizing poetic memory over concrete topographies.”
I was wondering where Edgar Martins got his essay from, now it all makes sense.
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Posted 21 Sep 2009 at 10:09 am ¶Here is a similar Artist Statement generator: http://www.playdamage.org/market-o-matic/
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Allen Lee Taylor Reply:
September 21st, 2009 at 3:54 pm
@Timothy Hughes,
I agree. So where is the fluff piece Ad thinly disguised as a magazine Article/Review generator?
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I shot a job for the New York Studio School a while back. Despite having gone to art school, I couldn’t understand a damn word anyone in that place was saying. No doubt, they got their lingo from this site. I say someone should come up with an Art Speak translator.
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Posted 21 Sep 2009 at 8:27 pm ¶I think I killed more nuerons with this, than all of the drugs and Alcohol I have consumed in my entire life.
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Posted 22 Sep 2009 at 2:24 am ¶HAHA, that’s awesome. A perfect example of why I hate the art world!
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Posted 22 Sep 2009 at 10:29 pm ¶Trackbacks & Pingbacks 1
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