The Daily Promo: Isamu Sawa

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Invite is below  to his show here for this show: www.withoutwater.com.au

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Isamu Sawa Photography

Who printed it?
It was printed by Bambra Press one of many generous sponsors for my recent solo exhibition “Without Water” and printed on paper supplied by K.W. Doggett both situated in Melbourne Australia.

Who designed it?
It was designed by Creative Director Derek Samuel who created all the collateral for the project including invites, exhibition banners and website (www.withoutwater.com.au)

Who edited the images?
I personally selected the images and subsequent layouts were created by Derek Samuel

How many did you make?
200. To coincide with a vast digital email marketing campaign to promote the exhibition, around 25 were sent out as special promotional invites with a bespoke ‘invite wrap’ to certain influential people such as bloggers, traditional and digital media outlets, editors of interior/lifestyle magazines and certain Instagrammers with particularly large following to generate publicity regarding the project/exhibtion. I wanted to send out something tangible and eye-catching with longevity that people could keep, pass around and leave on their coffee tables. The remaining copies were sold at the exhibition. The exhibition was a resounding success with tremendous media coverage, over 200 people on opening night and many Limited Edition prints sold.

How many times a year do you send out promos?
My agent Hart & Co and I send out digital mail-outs several times a year but this is the first time in many years that I decided to do a printed piece. Based on the amazing feedback I’ve received I will certainly be doing more in the near future.

 

This Week in New Media

by Jonathan Blaustein

It’s the beginning of October. The leaves on our Aspen trees are about to turn gold. My son, aligned with their calendar, will turn 8 the same week.

Things change, but cycles are forever.

As such, I’m happy to report that I’ve been writing for you, our faceless global audience, every Friday for 4 years. (Yes, we’re having our Anniversary.) In the beginning, I wrote short blurbs about several books each week.

It wasn’t until Thanksgiving of 2011 that I hit upon my regular style, one book each week, rambling narrative to introduce it. Then, we slowly added in the occasional field report from portfolio reviews. Along with the deep-dive interviews, that’s what we’ve done, every week for the last 4 years.

Until today.

Rob and I were recently discussing ways in which we could add in another column type. Something different. Something new.

The obvious answer popped up when I received an email from a regular reader, Brandon Tauszik, based in California. He wanted me to look at a photo project that he’d done, in the form of animated GIFs. African-American barbers shops in Oakland, to be specific.

How perfect is that? The clippers, sliding effortlessly, back and forth across a man’s head. Looping endlessly. Forever. (If you so choose.)

How 21st Century is that?

Therefore, this is the inaugural edition of our new column, “This Week in New Media,” which will appear from time to time. We’re shaking things up, because it’s fun, and it allows us to introduce you to people who are thinking seriously about new media.

Below, you’ll find a quick little Q&A with Brandon, as that’s also a new format for me. (Though my APE colleagues Heidi and Suzanne have presented Q&A style interviews for years.)

Hope you enjoy it, and don’t be afraid to let us know what you think.

1. How come you chose to focus on African-American barbers in Oakland? What led you there, as a subject matter?

I had initially observed a total lack of corporately-owned barbershops in Oakland. Having spent time living in suburban Florida, with Fantastic Sams and Supercuts galore, I was curious as to why their long reach hadn’t expanded anywhere in this particular city.

I began poking around at a few shops in my neighborhood; shooting and spending time interviewing the barbers there. These shops happened to be what you would define as black barbershops, with African American staff and clientele. I wanted to understand more about what made these socially exclusive places tick. That’s when I decided I would commit to making a portrait of Oakland’s black barbers and the various roles they assume.

2. As we all know, Marshall McLuhan is known for the phrase “The medium is the message.” Why are you choosing to express yourself in the form of animated GIFs? Is it about embedding the work in a 21st Century context?

Marshall McLuhan was the man! To me, the GIF is a relatively untapped hybrid between the mediums of film and photography. It contains the passing of time that exists in film but with the decisive moment aspect of a photograph. I suppose with “Tapered Throne” I’m testing the waters a bit to see if the medium can hold its weight.

Obviously, the GIF has gone through through a strong resurgence lately, mostly in the form of memes and frame-grab scenes from movies, TV shows, pop culture, etc. The outcome of this has seen the GIF quickly evolve into a contemporary medium of communication. Online news publications like Buzzfeed have had notable success in using GIFs in storytelling, but seemingly very few artists have grappled with using the medium in a live-action sense.

3. In the height of the Great Recession, I heard from several sources that things were really rough in Oakland. One of my wife’s friends said everyone in her neighborhood had bolted down their worldly possessions. Now, I’m hearing that the Silicon Valley-based gentrification of the Bay Area has reached Oakland, and it’s changing quickly. Do you feel like the places you’re documenting are in peril?

Oakland has seen high poverty mixed with high crime since the late ‘60s. The explosion of jobs in the Bay Area, from late ‘90s Dot-Com Boom to today’s climate has continued to provide very few opportunities for low income residents here. The city’s fabric has transformed before my eyes in these past years. Just a couple days ago Uber announced its purchase of a large historic building in downtown Oakland which will house 3000 new tech employees.

Combine the Bay Area’s explosive industry with a real shortage of market rate housing (add a heavy influx of white collar workers with cash to burn) and you end up with unprecedented displacement of long-time, lower income residents. Historically black neighborhoods are gentrifying and Oakland’s African American population is decreasing pretty fast. These spaces I’ve documented serve a particular demographic. If that demographic continues to weaken, these shops will have no choice but to close down or move elsewhere. I’ve tried to show the completed “Tapered Throne” project to all the barbers that participated; unfortunately I’ve already found shuttered storefronts where four of the shops were.

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Click Through To See The Rest Of The GIF’s
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The Art of the Personal Project: Edgar Artiga

As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” will feature the personal projects of photographers using the Yodelist marketing database. You can read their blog at http://yodelist.wordpress.com. Projects are discovered online and submissions are not accepted.

Today’s featured photographer is: Edgar Artiga

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How long have you been shooting?
About 15 years. For the last 5 years, I have primarily been focusing on sports and fitness photography.

Are you self-taught or photography school taught?
I have an AA degree in photography. I also worked for a large production studio as an assistant and studio manager for the early part of my career. I view every job or project as a new learning experience.

With this particular project, what was your inspiration to shoot it?
I love photographing athletes of all kinds and recently have been very drawn to the variety of different fighters who step into the ring. I love the level of intensity that is associated with fighting. For this project, I wanted to get a glimpse into the personalities of these fighters and the training and preparation they put in before stepping into the ring. I have shot recreational fighters in the past. However, I wanted to photograph professional competitive fighters, including those who already have their pro cards and some who are still fighting to get one. I came across a local DC area gym, Level Up Boxing and Fitness, which trains MMA, Muay Thai kickboxers, and boxers. Several fighters who train at this gym were a great fit for the project. I loved the personal story of one fighter in particular, Luther “Lights Out” Smith, who, at the age of 36, left his 9-5 job to teach boxing and follow his dream of becoming a champion fighter. I was intrigued by the kind of person that would put everything on the line for the love of a sport.

A lot of my sports imagery is produced and involves lots of lighting. For this project, I wanted to diversify my work by using a more natural documentary approach to capture the moments and feelings of these fighters putting in their work and training at the gym. I included some lit portraits, but shot most of the images using natural light.

How many years have you been shooting this project before you decided to present it?
I started this project just this past spring. Some of the images are up on my website and some are in my printed sports book. I definitely plan to continue to follow these fighters and continue shooting local fighters for this project.

How long do you spend on a personal project before deciding if it is working?
I usually know after the first shoot. Even if it is not working, I usually get something out of it even if it is just a learning experience. This particular project not only produced some great results in terms of imagery, but I also really enjoyed spending time with these fighters and photographing them as well as having the freedom to explore new approaches with my sports photography.

Since shooting for your portfolio is different from personal work, how do you feel when the work is different?
For me, portfolio and personal work are one and the same. For both, I am always striving to produce the best work possible and to explore new things, whether that is new subject matter or different photographic approaches. My personal shoots don’t always make it into my portfolio, but I always shoot with my portfolio in mind. The great advantage of personal work is that it gives me the freedom to try to push things in new directions and experiment with something new. In the end, this is the kind of work for which I would like to get commissions.

Have you ever posted your personal work on social media venues such as Reddit, Tumblr, Instagram or Facebook?
Yes. It’s a great way to show new work and get feedback.

If so, has the work ever gone viral and possibly with great press?
Not yet, but that would be a great opportunity.

Have you printed your personal projects for your marketing to reach potential clients?
Some of the images from this project are in my printed sports book and on my website. I am planning on using some of the images from this project for an upcoming e-promo and also in the process of putting together a printed promo piece from the project.

Artist’s statement:
I love the intensity of fighters, and for this “In the Ring” project, I wanted to capture professional competitive fighters in their training environment. I was particularly drawn to the story of one fighter included in this project, Luther “Lights Out” Smith,” who, at age 36, left his 9-5 job to teach boxing and follow his dream of becoming a champion fighter. I was intrigued by the kind of person that would put everything on the line for the love of a sport.

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Edgar Artiga is a commercial and editorial photographer based in the DC area who loves connecting with and capturing people. His signature clean and simple style carries through the wide range of his work.

Edgar lives in the DC area with his wife, two sons, and trouble-maker chocolate lab Coco. He can be found here: www.artigaphoto.com


APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after establishing the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter feed with helpful marketing information believing that marketing should be driven by a brand and not specialty. Follow her on twitter at SuzanneSease.