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Los Angeles Magazine: Andrea Bricco

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    Los Angeles Magazine: Andrea Bricco
  • Posted on May 2, 2013
  • By hvolpe
  • In The Daily Edit

Thursday: 5.2.13

Design Director: Steven E. Banks

Photo Director: Amy Feitelberg

Senior Art Director: Annie Hong

Art Director: Carly Hebert

Photographer: Andrea Bricco

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This is a long running scam but since it’s poppi This is a long running scam but since it’s popping up again it’s worth putting the information out there again.One variation I’ve heard is they overpay you but ask you to pay an advance to the stylist or some member of the crew who works for them.Here’s the emails:First Name: William  
Last Name: Morris
Phone: 208-480-5114
Email: Will.Morris.E@proton.meMessage:
Hello,My name is William Morris, Creative Director contracted by The Residence 1502, Austin, TX to conceptualize a two-concept lifestyle interior photoshoot to promote one of their luxury condominium residences.Concept 1 captures the quiet elegance of everyday moments with a couple subtly engaging with the space to convey aspirational living.Concept 2 features a young family of four, highlighting the warmth, versatility, and family-friendly appeal of the same luxury setting.We aim to create 50+ final images that blend high-end architectural photography with natural, authentic lifestyle moments. We're seeking the right photographer who can balance clean, well-composed interiors with an unobtrusive, candid approach to people within the space.You can view the full project scope and creative direction here: https://app.milanote.com/1UMTsd1qNQYG4C?p=wEijF185S97.If this aligns with your style, please feel free to get in touch with any questions.Warmly,
William Morris
Creative Director
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Have you seen these? Opening the discussion here t Have you seen these? Opening the discussion here to try and see what is going on. DM me if you want to post anonymously.
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Pricing & Negotiating: Estimate Review Of An Emplo Pricing & Negotiating: Estimate Review Of An Employee Lifestyle Library For Global Beauty BrandBy @andrewsouders @wonderfulmachineIn addition to helping photographers build price quotes from scratch, Wonderful Machine offers an Estimate Review service on existing quotes that photographers have created themselves. It’s often helpful to have an extra set of eyes and credible insight to polish up your price quote before sending it off to a client.Just as with our other Pricing & Negotiating case studies, we redact the names of the photographer and client, which allows us to share valuable and educational information that would otherwise be confidential.Concept: Two-day employee portraiture and lifestyle library shoot for social, internal, and recruitment materialsLicensing: Perpetual worldwide Web Advertising, Publicity, and Collateral use of up to 100 imagesPhotographer: West Coast-based lifestyle and portrait photographerClient: International beauty and personal care brandA West Coast-based photographer was recently approached by a global beauty brand to capture candid and environmental portraits and lifestyle images of employees over two shoot days. The 100 final images would be used across a broad range of platforms — including career websites, social media, digital ads, internal presentations, publicity, and print collateral like career fair flyers.While the scope of the project resembled other projects this photographer had worked on in the past with other clients, this project was for a more high-profile client with greater licensing needs and a bigger budget. The photographer asked us to help refine their estimate and determine appropriate creative and licensing fees commensurate with the project’s scale and client expectations.Scope & Usage
The project called for two shoot days. The first would take place at a local retail location before business hours as a shortened half-day, while the second was planned as a full day at the brand’s nearby corporate offices. The client would handle casting, scheduling, styling, and shot list development.CONTINUED IN THE COMMENTS
@colinthemshots Chaos & Confusion with @thebloodyb @colinthemshots Chaos & Confusion with @thebloodybeetrootsofficial ⚡️⚡️⚡️⚡️⚡️🔥🔥🔥🔥🔥
@godfreysdogpack @lisajeangodfrey promo calendar. @godfreysdogpack @lisajeangodfrey promo calendar. So cute 🌟🌟🌟🌟🌟🌟🌟
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@layne_kennedy #beyondthelight book is fantastic. @layne_kennedy #beyondthelight book is fantastic. Love reading the stories behind these classic images. 👏👏👏👏
Visit @artistmanagementassociation to sign the pet Visit @artistmanagementassociation to sign the petition. Please like and share.
@christiantisdale promo ⭐️⭐️⭐️ awesome @christiantisdale promo ⭐️⭐️⭐️ awesome project 👏👏👏
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The State of the Photography Industry survey has b The State of the Photography Industry survey has been developed with multiple types of professional practice in mind. Swipe to see the types of questions and areas of inquiry that have been included.Survey closes June 15th.Click the link in the bio or copy:https://sheridan.qualtrics.com/jfe/form/SV_1Gg84phjX7BAqLs
Share in your networks! More participation = more information.#photobusiness #photographypricing
David Burnett talks about “The Stringer” and w David Burnett talks about “The Stringer” and what he saw in Trang Bang when Nick Ut took the famous “Napalm Girl” image.For those who haven’t been following the major rift in the world of photojournalism a quick summary of what is going on: A film called “The Stringer” directed by Bao Nguyen (previously directed The Greatest Night In Pop) and produced/starring Gary Knight (VII Agency co-founder and ED) premiered at The Sundance Film Festival on January 25 claiming and attempting to prove that 53 years ago Nguyễn Thành Nghệ actually took “The Terror of War”  (AKA Napalm Girl) image and not Nick Ut. AP photo editor Carl Robinson claims his boss, Horst Fass, told him to switch the credit from Nguyễn, a stringer, to Nick, an AP photographer. The filmmakers find Nguyễn, and he says, yes, he took the picture.Prior to the film’s premiere, the AP released a preliminary report disputing the claims of the film. At the premiere, the AP watched the film and followed up (May 16) with a 100-page report saying that there’s not enough evidence to remove Nick Ut’s credit. Then, on May 16, World Press Photo released a statement saying they investigated (David disputes the characterization that they investigated and rather they simply got a private screening of the film and agreed with the conclusion) and are suspending Nick Ut’s credit on his 1973 Photo of the Year award. This sparked outrage on social media with posts from what appears to me to be the VII camp (Ashley Gilbertson, Ed Kashi, Sara Terry) and the Nick Ut camp (David Burnett, Pete Souza, David Kennerly).And the real zinger in the whole dust-up is that David Burnett was there! He’s an eyewitness to the events at Trang Bang, where the famous image was made. Ok, one final note: besides the premiere at Sundance and private screenings, the film cannot be watched until a distributor is lined up. I’m aware of a screening in DC next month, but most people, including David and myself, have not seen the film. I talked with David over the phone, and here’s a condensed and edited version of our conversation.CONTINUED IN THE COMMENTS
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This is an excerpt from The Photo Hustle by Karen This is an excerpt from The Photo Hustle by Karen Williams Buy your copy here: https://store.mangopublishinggroup.com/products/the-photo-hustle-1If you picked up this book, I’m betting you love photography enough to pursue a career in it, but you have no idea where to start. That’s where I come in. I want to be the resource and mentor I never had, so you don’t have to learn the hard way. I’ll be sharing the insider secrets of the photography industry that they don’t teach you in school. Because combining your passion for photography with a career can get a little messy. Being a great photographer is only half the battle. To thrive in this industry, you need to be a savvy entrepreneur, too. And that’s why I took it upon myself to fill in this much-needed gap. Instead of hoping things will change, it’s time we take control of our careers—and I’m here to help you do just that. This book will equip you with everything you need to know for a successful photography career. But you have to show up and put in the work.The photo hustle is real. These days, it’s not enough to have talent. You have to know the industry—and it’s a tough one to break into. Most photography schools and workshops don’t teach you how to run a successful business. Rather, they focus on the latest gear and techniques. They’ll teach you about posing, directing clients, composition, and lighting. They’ll show you all the pretty editing tricks and how to set up a shot.But actual business skills? That stuff rarely gets taught in the photography world. Marketing and branding? Not in most curricula. Sales and pricing strategies? I don’t think so. Client experience and retention? Doubtful. Financial planning and management? I’m not seeing it. Most photographers are expected to figure it out on their own, often through trial and error. But in reality, most photographers were never prepared for the “photo hustle” that exists on the flip side of their passion… I know I wasn’t.CONTINUED IN THE COMMENTS
The state of the photo industry survey is live and The state of the photo industry survey is live and needs your contribution! Follow the link in bio. Open to all professional photographers.Survey will close early June.
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@jessechaconphoto promo ⭐️⭐️⭐️ awesome @jessechaconphoto promo ⭐️⭐️⭐️ awesome work ⚡️⚡️⚡️💪💪💪
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@scottsuchman promo WOW 🤩 fantastic promo and l @scottsuchman promo WOW 🤩 fantastic promo and loved the images 😍⭐️🫡👏👏👏
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I know y’all have seen some $hit let’s hear ab I know y’all have seen some $hit let’s hear about it 😃
Pricing & Negotiating: Expanding Usage For A Non-P Pricing & Negotiating: Expanding Usage For A Non-Profit Healthcare ClientBy @andrewsouders @wonderfulmachineEach month, we explain a recent cost estimate, contract, or purchase order in the form of a Pricing & Negotiating article. By redacting the names of the photographer and the client, we can share useful information that would otherwise be confidential. You can read more about our Image Licensing service on the Consulting Services page of our website.Concept: Additional licensing for previously shot conference images, including a new set of selects
Licensing: Publicity and Collateral use of the original 25 images for an additional 3 years, and Publicity and Collateral use of 7 additional images for 5 years
Photographer: Corporate and Portraiture photographer
Client: U.S. non-profit healthcare organization
Agency: Healthcare communications agency representing the clientA photographer partnered with me to help navigate an image licensing expansion for a recent conference shoot. The client, a non-profit healthcare organization working through a major healthcare communications agency, wanted to expand usage rights for a set of images and license additional selects from the previously photographed event.Client Request
The original license covered a batch of 25 images from the conference shoot for use on digital, social, conference, and internal platforms – terms that generally fall under what we define as Publicity and Collateral use. The client had previously agreed to $6,900 in creative/licensing fees for this usage, granted for a period of 2 years.As the client sought to extend the usage of these original images and license new selects from the shoot for a longer timeframe, we also identified an opportunity to improve clarity in the licensing terms. The original agreement did not include a definitions clause for the stated usage categories, and the terms digital, social, conference, and internal felt somewhat open to interpretation.CONTINUED IN THE COMMENTS
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Instagram post 18395325289106368 Instagram post 18395325289106368
@johan_knobe promo 😍 lovely 👏👏👏🫡 @johan_knobe promo 😍 lovely 👏👏👏🫡
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@stevenvisneauphotography Paris book ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
@mattlicari promo ⚡️⚡️⚡️ super 👏👏👏
LFG! Can’t stop won’t stop creating. LFG! Can’t stop won’t stop creating.
@samrileyphotography promo ⭐️⭐️⭐️⚡️⚡️⚡️👍👍👍
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@clint_davis promo ⚡️⚡️⚡️ nice one 😍😍😍👏👏👏
RIP Val. RIP Val.
Pricing & Negotiating: Restaurant and Retail Image Pricing & Negotiating: Restaurant and Retail Images for a Design FirmBy @bryansheffield, @wonderfulmachineEach month, we pick one of our recent estimates to write about in a Pricing & Negotiating article. Redacting the names of the photographer and client allows us to share valuable and educational information that would otherwise be confidential.Concept: Portfolio content photography of an architecture and interior design firm’s recently completed restaurant & retail spaces within an airport
Licensing: Collateral and Publicity use of up to 15 images in perpetuity
Photographer: Architecture & Interiors specialist
Client: Large retail space architecture and interior design firmSummary
I recently helped one of our NYC photographers build an estimate for a good-sized architecture and interior design firm. The firm requested an estimate for photography to document 4 of their soon-to-be-finished spaces within a NYC area airport terminal. The final use of the photography would primarily be web collateral within the firm’s website, publicity efforts, as well as submissions to a few notable design award competitions. When we first began speaking with the client, they let us know that the completion date was about 3 weeks out. Moreover, they informed us that the photographs needed to be taken at night because the restaurants and shops would be open the following day.The client was very specific with their shot list needs. They would, however, rely on the photographer to accomplish this list in an artistic manner. They also let us know that they would need the final images within 2 days of the shoot date in order to meet their award submission dates. The client would arrange all special permissions for the photographer, crew, and equipment access to the spaces due to our need to work after the airport terminal had closed. We also knew that although our client designed these 4 spaces, they would all be owned and operated by other brands. With this in mind, we attempted to upsell and inquired whether the brands or proprietors might be interested in use of the final work. These potential clients, however, were not interested.CONTINUED IN THE COMMENTS
@winniewow promo book ⭐️⭐️⭐️ super ⚡ @winniewow promo book ⭐️⭐️⭐️ super ⚡️⚡️⚡️
@avskaffelse #poorwindy 👍👍👍⚡️⚡️⚡️
Paying the price for slacking the promo posting. T Paying the price for slacking the promo posting. Time to get busy.
@certaingravityphoto promo ⚡️⚡️⚡️👍👍👍
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A Photo Editor (APE) is edited by Rob Haggart, the former Director of Photography for Men's Journal and Outside Magazine. Contributors include fine art photographer Jonathan Blaustein (@jblauphoto), Creative Director Heidi Volpe, photography consultant Suzanne Sease and Producers at Wonderful Machine.

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