The Art of the Personal Project: Stef King

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Stef King

Reflection of Beauty is a project I started about 15 years ago. It began as a series called Five Minutes With, which was essentially five minutes with a model in front of the camera. They came to the studio wearing whatever they wanted, with no professional makeup. It was a chance for them to be photographed as they were — to express their own perception of how they wanted to be seen, rather than how a stylist, makeup artist, lighting team, or Photoshop might shape their image.

It was a raw, honest portrait session centered around one question: “What does beauty mean to you?”

At first, the answers were simple — “To me, beauty is a great red lipstick.”, for example. But over the years, those answers have evolved into much more complex reflections, mirroring the growing complexity of that very question:

What does beauty mean to you? What does beauty mean to all of us?

My portrait of Katie (pictured at top) was taken after she underwent brain surgery to replace part of her skull. She explores how that experience has shaped her feelings about herself, her perception of beauty, and how others perceive her.

Onella Muralidharan is a model and fashion influencer in Melbourne, Australia. – “The patterns of my Vitiligo are a reflection of how connected I am to the natural world and the inspiration for my definition of beauty.”

Amy Evans (pictured above in wheelchair) is passionate about fashion, beauty, and horse racing. For her, there has always been a conversation around disability identity: whether one sees themselves as a person with a disability (person-first language) or a disabled person (identity-first language). However, she says, “For me, identity encompasses more than just what people see. My identity is my passion. My identity is Amy!”

Leaning on my greatest strength as a photographer shooting for fitness and beauty portraiture and my internal need to connect with other women on what our perspective of beauty is.

Reflection of Beauty has become something far greater. It’s an exploration of life — how we see ourselves, and how the world sees us.

To see more of this project, click here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

Working through a Seismic Industry Shift

 Working Through a Seismic Industry Shift : Balancing visibility and vulnerability in a constantly changing landscape.

Image courtesy of Steve Korn from his project “The Ballo Conservatio Project“.

Lately, I’ve been hearing from more and more photographers who feel stuck, like the ground beneath them is moving and the usual paths forward no longer apply. I’m sure you’ve noticed, our industry is changing. While big budget ad campaigns and large-ish editorial shoots still exist, theyve become more elusive: fewer in number, harder to secure, and more tightly budgeted. At the same time, the industrys public-facing rhythm hasnt changed much. Photographers continue to share behind-the-scenes social media posts, announce new commissions, and keep their websites fresh. This isnt dishonest; its a form of forward momentum. But it can also mask a deeper truth many are feeling. The structure itself is undergoing a seismic shift, slow in some ways, sudden in others.

This disconnect is not a sign of delusion, but of survival. Many photographers are quietly anxious, burned out, or disillusioned, not because they lack talent or drive, but because the industry they built careers around no longer behaves predictably or sustainably. This disconnect can breed a particular kind of paralysis: the knowing that things are wrong, paired with the fear of stepping outside the illusion. Its easier, and often more professionally acceptable, to play along with the facade than to confront the reality head-on.

It can be disorienting. On one hand, were encouraged to keep up appearances, to maintain visibility, to show were still working. On the other, many creatives quietly admit to uncertainty about where the next job will come from or how to adapt to the growing presence of AI and the shrinking demand for traditional production. This isnt failure. Its a rational response to change. Acknowledging the gap between how things look and how they feel is not a weakness. Its the beginning of recalibration.

This recalibration doesnt have to mean abandoning the craft. In fact, continuing to share your work, especially the honest, messy, beautifully human parts, can be a quiet act of resistance. Whether you’re shooting a big budget campaign for an agency or brand, or working on a personal project, your images and stories still matter. They remind others that the work is not only possible but still worth pursuing, even as the industry continues to shift. By recognizing the change, staying visible, and adapting to an evolving process, photographers can help shape what comes next.

Instagram 

About Christopher Armstrong

Chris began his career as a photographer in Los Angeles, eventually moving through the worlds of film, television, and advertising before returning to photography in a new role as an agent and producer. Along the way, he worked with legendary filmmakers like Robert Altman, top production companies in Los Angeles and London, and global agencies including Wunderman, Publicis, and Deutsch. With 30-plus years of international experience, he has a panoramic view of the creative industry, one that’s occasionally dysfunctional but always worth sharing. That breadth of perspective informs everything he does, from creative strategy to mentoring emerging talent.

In 2012, Chris founded PhotoPolitic in Stockholm as a response to the shifting landscape of commercial photography and production. Now operating between Amsterdam and Los Angeles, the invite-only platform connects elite photographers, directors, and digital artists with leading advertising and editorial clients worldwide. Carefully curated and fiercely independent, PhotoPolitic represents talent recognized for both aesthetic excellence and real-world impact.

Today, the PhotoPolitic network includes some of the most respected names in advertising, editorial, architecture, interiors, documentary, reportage, and fine art photography. At its core, PhotoPolitic exists to champion creative integrity in an industry that often compromises it, working only with professionals whose reputations are built on craft, ethics, and results.

The Art of the Personal Project: Luke Copping

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  Luke Copping

Chef Redbeard is a personal project that came out of the recent creative connection between me and Jeremy VanAntwerp (AKA Chef Red Beard), a chef with a background in both fine dining and deeply rooted comfort food. Jeremy runs a private dining experience where small groups of guests are served directly in his kitchen studio. It’s an intimate setting—no separation between the cooking and the people he’s feeding. The meals are multi-course, seasonal, and often tailored especially for his guests’ unique tastes and needs. It’s less about spectacle, more about connection.

What drew me to document Jeremy’s process wasn’t just the food—it was the atmosphere around it. The space is calm, focused, and quiet. There’s no rush, no chaos. Just the steady rhythm of someone who’s deeply at home in their work. This project captures that mindset. It’s about the collaboration between Jeremy and his customers, the repetition of the kitchen, and the intensity that builds as the event night approaches.

The series uses both still photography and motion to show the experience from different angles. I wasn’t interested in stylized food shots or polished plating. I wanted to photograph what happens: crisp edges as they come out of the pan, the way honey drips from a biscuit and ingredients being handled with purpose.

This project isn’t about trends or restaurants. It’s about one chef, his space, and how he has decided to step away from the traditional restaurant model and explore something more intentional and personal.

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Megumi Bacher

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:   Megumi Bacher

THE ART OF IN-BETWEEN

PORTRAITS OF BICULTURAL KIDS AND THEIR IDENTITIES

A Celebration of Children with Japanese-American Roots

In The Art of In-Between, I explore the evolving meanings of cultural identity through the eyes of Japanese-American children. At the heart of this series is the kimono—a garment that once served as everyday attire in Japan and has since become a symbol of ceremony and tradition. Today, it is worn to mark significant milestones such as Shichi-Go-San (ages of 7-5-3 celebration), Seijinshiki (Coming of Age Day), graduations, and weddings. Beyond its beauty and formality, the kimono now carries a deeper meaning: an intentional act of cultural pride, belonging, and remembrance.

As a Japanese immigrant and photographer based in the U.S., I see these garments not only as expressions of heritage but as living visual narratives—threads that connect generations, carry unspoken stories, and shift with the people who wear them. For those of us living between cultures, tradition is not something fixed; it is fluid, responsive, and continually reimagined.

This photo series reinterprets the kimono through a bicultural lens. Rather than presenting it as a restrained or static artifact, I invite Japanese-American children to wear it as themselves—encouraging them to move, play, and express their quirks and uniqueness freely. Each portrait reflects more than heritage—it captures the individuality, curiosity, joy, and vulnerability of each child. It celebrates how culture and self-expression can not only coexist but enrich one another.

At its core, The Art of In-Between is a celebration of children growing up across cultural lines—not in conflict, but in conversation. It honors their lived experiences and identities as both fully Japanese and fully American, without asking them to choose These portraits offer a space where representation, strength, softness, and cultural nuance can exist together

This work speaks to the emotional truth of the in-between—how identity is layered, how tradition lives and breathes, and how children, when seen and supported, become powerful carriers of culture in motion. My goal is to share a vision of heritage that is not preserved in stillness, but shaped with intention, joy, and playfulness. Through these portraits, I hope to contribute to a living tradition—one that evolves across generations, and one that children feel welcomed and empowered to carry forward as their own

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Brian Maranan Pineda

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist: Brian Maranan Pineda

My “Oaxaca, Mexico” personal series is a vibrant, intimate look at the heart of this incredible region. I wandered through bustling markets, lively streets, and peaceful neighborhoods, drawn to the colors, textures, and the spirit of Oaxaca. What struck me most were the people—their warmth, openness, and deep connection to their tradition. Through candid portraits and vivid scenes, I wanted to capture not just what Oaxaca looks like, but how it feels: full of energy, history, and life.

This project is my personal tribute to a place that left a lasting mark on me. From moments of celebration to quiet daily rituals, I hoped to capture the everyday beauty that makes Oaxaca so unique. Each image is a small story of life there, reflecting the character and rich cultural roots of its people. I hope these photographs invite others to share in the wonder and appreciation I felt while visiting this remarkable part of Mexico.

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Amanda Lopez

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Amanda Lopez

Mr. Arrieta was my roommate when I first moved to Los Angeles.

As a young photographer growing up in Sacramento, I dreamed of moving to L.A. to launch my photography career, but I wasn’t sure how I’d make it happen. One day, I shared my dream with a friend, and she mentioned she was looking for someone to look after her dad who happened to live in Southern California. If I was willing to keep an eye on her 92-year-old dad, she said, I could live in the home for free

It was an unconventional arrangement, but exactly what I needed. Moving to L.A. allowed me to intern with legendary photographer Estevan Oriol and begin working with some of my favorite publications. But the greatest gift from this time in my life was gaining the gift of a grandpa.

I never had a close relationship with my own grandfathers, so becoming Mr. Arrieta’s honorary granddaughter was something I didn’t know I needed. He was a kind, gentle man who spent his days tinkering in the garage and napping in his recliner. On weekends, he’d knock on my bedroom door bright and early to see if I was awake, so we could head to his favorite diner, Scotties. That became our ritual, and I loved it.

As our friendship developed, I began documenting his day-to-day activities and moments at home not just to process the experience, but to preserve it. Mr. Arrieta had such a kind spirit, and I wanted to create images that reflected that warmth. He brought so much joy and peace to my life, and I hoped that through these photographs, I could offer something meaningful back to his family.

Eventually, Mr. Arrieta’s health declined, and nurses began caring for him full time. Witnessing that transition was difficult, but my camera helped me navigate the emotions. Photography became a way to honor the dignity of his final chapter, and to hold onto the moments we shared.

Mr. Arrieta is no longer with us. But the images I made during that time are a reminder of our brief yet meaningful bond and a way of honoring the grandfather I never had.

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Neil DaCosta

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist: Neil DaCosta

While searching for interesting subjects around Truckee, CA (where I had recently relocated to), I saw that an Arabian Horse Show was happening at the Reno Spark Livestock Events Center. Previously, I had been to the venue to photograph a go-kart race and knew it had some lighting/background constraints. Based on this prior knowledge, I decided that I wanted to focus on the participants of the event and keep the space it was being held in nebulous.

However, I had no idea what happens at an Arabian Horse Show and decided to wing it. Occasionally I like shooting personal projects with no prior research or understanding of the subject, forcing myself to be creative on the spot. This correlates to capturing unexpected images on paid assignments, which can be a nice added bonus.

After looking at the packed schedule, I decided to go on a day that had interesting sounding classes (Native Dress, Side Saddle, and Carriage Pleasure Driving). Again, I had no idea what to expect, but my intuition paid off. Armed with a long zoom lens, I headed down to Reno for a fun day filled with Arabian horses.

 

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Evi Abeler & Hadley Sui

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artists:  Evi Abeler photographer &  Hadley Sui food stylist

PEACH FUZZ

Food stylist and pastry chef Hadley Sui approached me with an exciting concept: capturing the essence of the Pantone Color of the Year 2024, affectionately named Peach Fuzz, through food photography.

Following a lively brainstorming session, we decided to showcase Peach gummies, Meringue, Bellini, and fruit yogurts as our subjects. Collaboratively, we crafted a mood board and defined the art direction, laying the groundwork for our shoot. Fortunately, we were able to secure the talented hand model Danielle Iwata to join our creative endeavor. Here are the fabulous results of our collaborative efforts. 

   

To see more of this project, click here

Instagram  (Evi Abeler)

Instagram  (Hadley Sui)

 

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Robert A. Ripps

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist: Robert A Ripps

Growing up in New York City, inarguably one of the greatest cities in the world for street food, I was able to enjoy everything from hotdogs to pizza, giant pretzels to shaved ices, Blimpies to bodegas. Probably my favorite NYC street food is your classic slice of Neapolitan pizza, preferable from a brick oven, topped with a sprinkle of dried red pepper flakes and a pinch of dried oregano, folded in almost in half and eaten with one hand as I am walking, while a little grease runs down my wrist.

Recent immigrants, and the broadening of American palates, plus the proliferation of food trucks, have introduced us to the joys of Halal carts, birria tacos, Indian dosas, California burritos, and pretty much anything you can stick between two slices of bread, roll up in a tortilla, or serve atop a pile of rice. Or so I thought.

However, it seems like America has nothing on Asia when it comes to varieties and types of street food. A recent trip to Vietnam allowed me to sample some of the most delicious, as well as most inexpensive, culinary treats, that were for the most part previously unavailable to me. Food establishments are mainly on the sidewalks or in the streets, so pretty much every meal becomes street food.

The first night I arrived in Hanoi, I was a bit taken back to see people cooking food and washing dishes on the sidewalk, right next to the people sitting on their brightly colored chairs, enjoying a meal. Being famished, I quickly got over my western bias and soon found myself hunkered down on a way too small plastic chair, hunched over a steaming bowl of noodles in soup and ice-cold beer.

Most dishes in Vietnam were served with plates of fresh shredded vegetables and herbs, small limes to juice over your food, and often, ancient looking plastic containers of homemade pickled condiments or hot sauces.

One street in Hanoi had several vendors deep frying beef jerky, right out in the air, which was still was warm when I got it, with a subtle aroma of five-star powder. Another street had several vendors hawking platters of giant snails, which once I get over the thought of eating a giant snail, were very tender and quite delicious with their accompanying sauce and condiments.

Just about everywhere I went, I came across people selling food out on the street – not just from storefronts, but more often from bicycles, which could be equipped with baskets for fruit, or sweets, or amazingly, some sort of oven or steamer to cook or keep food warm.

And the variety of what you could sample was amazing- you could usually find Vietnamese iced coffee, grilled pork served over noodles (Bún chả), grilled corn on a stick, grilled rat on a stick (which for some reason I did not try), fertilized duck embryos in their eggshell (ditto), crispy rice crackers topped with mung bean paste or chicken floss, all types of sticky rice wrapped in a banana leaf and young coconuts, not to mention all varieties of dried squid snacks, plus your basic “Tteokbokki” and “New York” flavored potato chips (think NY strip steak).

Of course, there were also open-air markets selling the freshest fruits and vegetables, as well as all varieties of hacked fish and animal parts, most of which I could identify. They also sold lots of noodles and pickled vegetables – at one I tried to find out what something was, so the woman reached in, grabbed a handful, and offered me a taste, which would’ve been impolite to turn down.

In Hue, we met a woman lugging a small cabinet on a yoke, housing a pot of warm tasty ginger soup. Which we tried less than 10 minutes after we finished demolishing three or four small Bahn Mi from a nearby vendor working out of which felt like an empty garage. The problem was not being able to find or afford all these different types of street food; it was being able to have the room to taste everything you came across!

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

The Art of the Personal Project: Adam Ewing

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  Adam Ewing

I had the opportunity, through a client connection, to follow a team at Bonneville’s Speed Week. Each year, hundreds of speed freaks bring their machines to Bonneville with the goal of setting a land speed record in dozens of classes from vintage motorcycles to futuristic rockets on wheels.

The legendary Bonneville Salt Flats, with its expansive vista that stretches 12 miles long and five miles wide, has been likened to the surface of the moon. In this series, I sought to capture the dizzying speed of the man-made machines, being tested on a surreal landscape.

To see more of this project, click here

Instagram

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

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The Art of the Personal Project: James Evangelista

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  James Evangelista

I create images that celebrate the spirit and beauty of the American Landscape, and like my father before me, photography is my passion and my career. In the world of solidity and structure, the silence of the desert, the play of light and shadow, and the forces of wind and water resounds with images that are stirring, touching, and profound. These are the places that occupy a special spot in my imagination. Places that seem to suggest more than just another beautiful spot. Transcending conventional clichés of location, each photograph is more than a record of natural beauty. Within the image, a feeling of vanishing moments when light, tide, and time hold one’s being in their grip and solicits a quiet and introspective moment that reflects the solitude of the work that I’ve done over the years.

I find my photography restorative, and often, while I’m travelling, I am inspired when I see places where priorities – nature and traditions that respect and preserve the land, all seem sensible, humane and in balance. With decades of dedication to the craft, my photography reflects a mastery of technique and a deep connection to nature. I work to capture those moments where the camera and life come together to create a feeling that’s authenticate and real, and although the stories I tell through my photography may vary, my dedication to finding beauty and originality is constant.

To see more of this project, click here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Stefan Falke

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  Stefan Falke

LA FRONTERA: Artists along the US Mexican Border

A personal long-term project by Stefan Falke

I photographed over 200 artists and art supporters on both sides along the entire 2000 miles long divide to show the vibrant cultural side of a region that is usually portrayed by the international media with the sole focus on violent crime. The high security steel fence erected by the US over most of the 2000 miles long border did its part to create a physiological and physical barrier. This had particular significance to me ever since I moved to New York – probably because I am German and because I have lived with a wall dividing Berlin and my country until 1989. Artists are the pulse of a society, and I believe if we ignore the cultural side of troubled places, we will soon stop caring about them all together. I met with both internationally renowned as well as only locally known artists. It was not about the value of their art in the eyes of the art market, but about the value and positive impact of the often highly visible creations and activities on their communities.

A book about the project was published in Germany. The project has been featured by major publications: BBC, The New York Times, Wired Huffington Post and Hyperallergic. The work had solo exhibitions in museums, galleries and photo festivals in the US, Mexico and Germany.

Photographer Tochiro Gallegos on the roof of his studio in Reynosa, Mexico. His strong personal work reflects the violent circumstances in border cities like Reynosa.
US Mexico Border in Tijuana.
Border activist and poet Daniel Watman at the border fence in Playas de Tijuana.
Photographer Raechel Running at the border fence near Aqua Prieta, Mexico.
Native American master watercolor artist and muralist Michael Chiago in front of his mural in Sells on the Tohono O’odham reservation in Arizona, near the US-Mexico border, in March 2017. The territory of the Tohono O’odham Nation reaches into Mexico and is divided by the border fence.
Musician Carlos Velazquez, a member of the punk band Tripa Revancha in Nogales, Mexico. The band usually wears suits and wrestling masks on stage.
Cantamo, Reggae and Ska band, at the border fence in Tijuana.
For over 5 years now, once every week, Alvaro Enciso has quietly gone out into the Sonoran Desert, placing a cross in each place where the remains of migrants who died in the desert after illegally crossing the border into Arizona were found by the border patrol. The County’s Medical Examiner provides him and his volunteers (members of the Tucson Samaritans) with updated maps that lists the exact location of nearly 3,000 human remains, found in the Arizona desert since 2001. The number is continuously growing; the crosses he and his team placed during my visit were for two of this years casualties. Alvaro has placed over 800 crosses alread, his project, titled Donde Mueren Los Suenos / Where Dreams Die, is ongoing.
Artists Alfredo ‘Libre’ Gutierrez at his studio in Tijuana, Baja California, Mexico.
The young artist Alfredo Gutierrez portraits American homeless people who come to Tijuana because life in the street is cheaper here than in neighboring California. Alfredo ‘Libre’ Gutierrez is well known for his murals in Tijuana and other Mexican cities.

To see more of this project, click here

See more at my project’s website borderartists.com

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APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram

The Art of the Personal Project: Lucas Foglia

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist: Lucas Foglia

Recently featured on NPR The Picture Show

Constant Bloom follows Painted Lady butterflies on the longest butterfly migration ever discovered, spanning Europe, Africa, and the Middle East. My photographs trace both the path of the butterflies and the people they encounter, offering an allegory for our delicate, interconnected, and resilient world.

   

To see more of this project, click here

Order Constant Bloom book

Exhibitions here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Stanley Greenberg

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist: Stanley Greenberg

Waterworks, an exploration of New York City’s water supply and wastewater treatment systems, was originally published in 2003. This new and expanded edition is a complete reworking of the book, featuring 362 photographs, made between 1992 and 2024, and two new large, folded insert maps. Greenberg visited reservoirs, aqueducts, tunnels, gatehouses, water supply and sewer pumping stations, water tanks, wastewater treatment plants, stormwater retention facilities and maintenance covers throughout the watershed and around the city. The maps identify over 400 sites in the system, from upstate reservoirs to abandoned systems and tunnel shaft sites. In the late 1990s, Greenberg received unprecedented access to photograph the system, which made much of this work possible. After 9/11, all facilities were closed to the public. Since then, Greenberg has located hundreds of sites in plain view but largely unknown and unidentified; anonymous street furniture invisible to most people. The book and map — a field guide for anyone called to their own exploration — show a mostly underground and hidden system. The map is based on field investigations and historical documents and is designed by Greenberg and Larry Buchanan.

 

To see more of this project, click here

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To purchase Waterworks, click here

Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Howard Schatz

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  Howard Schatz

Dancers In The Museum

 I worked for three days making photographs of the innumerable spaces and galleries at The Metropolitan Museum of Art in New York City, using my imagination to “picture” what it would look like with ballerinas in the various spaces.

In my studio, working with two dancers from The American Ballet Theater, Camila Ferrera and Betsy McBride, as well as a fashion stylist, Nikko Kefalas, hair stylist, Anike Rabiu, and make-up artist, Magdalena Major, I made images that would “fit” in the Museum’s spaces.

 

 

To see more of this project, click here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist. Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Greg Latza

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Greg Latza

Throughout my 27 years of freelancing, I’ve constantly needed book projects to maintain my sanity.

Back in October 1999, my talented editor/designer/wife Jodi and I ambitiously published my first photography book, Back on the Farm. It was self-funded and wholly terrifying…but also thrilling. We printed 4,000 copies and I figured that if we could sell them all within 10 years, the book would be a success.

Two months later, the book had sold out and a new side business was born.

Over the next ten years, we published seven more photography books about various South Dakota subjects, including a children’s book written by Jodi, and books about the Missouri River, small towns and World War 2 veterans.

After that furious decade of publishing, our three busy kids needed more of our time and the books took a backseat. But it didn’t take long to realize that these book projects had been my main creative outlet. The freedom that book photography offered was something I sorely missed as my stable of advertising clients grew and my assignment work squeezed out any spare time for book projects.

I’d been photographing western South Dakota for my fine art catalog for years, and I always knew that another book was hiding among those images. I assembled the bones of the book during the pandemic and shot the remaining 60% of the photos between 2020 and 2024.

We published West River in October 2024. The book is a tribute to ranching families and the amazing landscape they inhabit, as well as a few other uniquely western South Dakota tidbits. The title is derived from how the Missouri River splits the state into halves, known by residents as East River and West River.

We are planning to publish East River in late 2027, and it will be an equal-sized companion piece to West River.

With these new book projects to work on, most of my sanity has returned! They’ve been great fun to plan and execute, and in turn I believe these personal projects make my corporate work better

****************

West River

Clothbound hardcover

12”x11”

264 pages

178 color and B&W photographs

$50 cover price

Available on my website at www.greglatza.com

*********

Greg Latza is a freelance photographer based in Sioux Falls, South Dakota. The majority of his work is for agricultural, industrial and energy clients, most notably Tractor Supply Company and Kubota.

To see more of this project, click here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Scott Lowden

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

Today’s featured artist:  Scott Lowden

Terra Nostra is an exploration of place, memory, and the invisible threads that connect us to spaces we inhabit. Photographed intuitively, the images embrace imperfection. Long exposures, soft focus, and alternative lenses let light and atmosphere shape each frame, softening sharp edges in favor of emotion and mood. These photographs prioritize feeling over documentation—a visual sense of how a place lingers in memory and spirit.

This project resurfaced during five years spent with my father during his illness. Places like Kimmel Lookout in Pennsylvania became meditative spaces as I made photographs to help process the emotions of witnessing a loved one’s decline. Through these experiences, this series became a bridge between personal story and a broader connection to place.

Terra Nostra invites viewers to step into the spirit of these spaces, to sense the echoes of the past and the presence of what endures.

To see more of this project, click here

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Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.

Suzanne offers something rare: an insider’s perspective on how client’s source creative talent. Her deep understanding of the industry is underscored by her impressive resume: 11 years as senior art buyer at The Martin Agency, seven years as an art producer for Capital One, and stints with the art-buying department at Kaplan-Thaler and the creative department at Best Buy, where she applied her expertise to reviewing bids to see which were most likely to come in on budget. Over the years, Suzanne has worked with a wildly diverse range of clients, including Seiko, Wrangler, Bank One, AFLAC, and Clairol Herbal Essence. Now, as a consultant, she is equipped to problem-solve for her clients from an unusually dynamic point of view.

As a longtime member of the photo community, Suzanne is also dedicated to giving back. Through her Art of the Personal Project column on the popular website aphotoeditor.com, she highlights notable personal projects by well-known and up-and-coming photographers. The column offers these artists excellent exposure while reflecting Suzanne’s passion for powerful imagery.

Instagram

The Art of the Personal Project: Ann Hermes

The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.  I am drawn to personal projects that have an interesting vision or that show something I have never seen before.  In this thread, I’ll include a link to each personal project with the artist statement so you can see more of the project. Please note: This thread is not affiliated with any company; I’m just featuring projects that I find.  Please DO NOT send me your work.  I do not take submissions.

 

Today’s featured artist:  Ann Hermes

For the past six years I’ve photographed local newsrooms from Alaska to Florida, documenting the dedicated but dwindling local news landscape. As a photographer with over 15 years of experience in newsrooms, I have a great deal of respect for the institutions that bring small communities the news.

An average of two newspapers shut down every week. In the wake of these closures many communities become news deserts. In their place is an information landscape of nationalized, and increasingly partisan, news that is ripe for misinformation. Studies now show that local government spending goes up, voter participation declines and cities often lose their bond rating after the loss of a local newspaper. Local Newsrooms needs to convey these insidious and largely unseen impacts.

With a growing catalog of images, video and interviews, I’m working to create a visual story of regional and national relevance. I plan to display some of this work in small town libraries, and similar spaces to make local newsrooms more visible in their neighborhoods. My goal is to use this work to engage communities in the search of and support for trusted local news while at the same time raising the importance of this issue to a national audience that may not have fully realized what has already been lost, and what is at stake.

The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.
From left, digital community engagement journalist, James Rinker grabs a laptop as education and environment reporter, Jamie Browder, public safety and criminal reporter, Christopher Cartwright, and visual journalist, Hannah Schroeder move desks in The Keene Sentinel newsroom on February 19, 2024 in Keene, New Hampshire.  © Ann Hermes 2024
Printing press operator, Cameron Blum, runs the printing press for an edition of The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The Keene Sentinel has one of only a few printing presses in operation in New Hampshire.  © Ann Hermes 2024

The Conway Daily Sun newspaper morgue in Conway, New Hampshire on April 21, 2023. The free newspaper was founded in 1989. The printing press connected to the newsroom ceased printing in 2023.

Clippings of bird photos line the walls of the printing press room at The Keene Sentinel on February 19, 2024 in Keene, New Hampshire. The printing press operators started the bird gallery. “That’s what we run. Every day there’s a bird picture. It started out as a joke, but now it’s an art project,” says Brian Ahern, who has operated the printing press for The Keene Sentinel for over 30 years.  © Ann Hermes 2024
Rick Clark, Keene Sentinel copy editor, looks through microfilm of the newspaper in the newsroom in Keene, New Hampshire on January 8, 2024. The paper was founded in 1799 as The New Hampshire Sentinel and an independently owned publication that runs six days a week.
Broken newspaper bins sit in the parking lot of The Auburn Journal on July 10, 2023 in Auburn, California, northeast of Sacramento. The newspaper was founded in 1872 and is owned by Gold Country Media. The Auburn Journal covers Placer County, near two news desert counties.

To see more of this project, click here

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APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world.  She has been involved in the photography and illustration advertising and in-house corporate industry for decades.  After establishing the art-buying department at The Martin Agency, then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies, she decided to be a consultant in 1999.  Follow her on Instagram